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CHAPTER I UP CHAPTER III CHAPTER II Matthew Cuthbert is surprised Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright River. It was a pretty road, running along between snug farmsteads, with now and again a bit of balsamy fir wood to drive through or a hollow where wild plums hung out their filmy bloom. The air was sweet with the breath of many apple orchards and the meadows sloped away in the distance to horizon mists of pearl and purple; while "The little birds sang as if it were The one day of summer in all the year." Matthew enjoyed the drive after his own fashion, except during the moments when he met women and had to nod to them-- for in Prince Edward island you are supposed to nod to all and sundry you meet on the road whether you know them or not. Matthew dreaded all women except Marilla and Mrs. Rachel; he had an uncomfortable feeling that the mysterious creatures were secretly laughing at him. He may have been quite right in thinking so, for he was an odd-looking personage, with an ungainly figure and long iron-gray hair that touched his stooping shoulders, and a full, soft brown beard which he had worn ever since he was twenty. In fact, he had looked at twenty very much as he looked at sixty, lacking a little of the grayness. When he reached Bright River there was no sign of any train; he thought he was too early, so he tied his horse in the yard of the small Bright River hotel and went over to the station house. The long platform was almost deserted; the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible without looking at her. Had he looked he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. She was sitting there waiting for something or somebody and, since sitting and waiting was the only thing to do just then, she sat and waited with all her might and main. Matthew encountered the stationmaster locking up the ticket office preparatory to going home for supper, and asked him if the five-thirty train would soon be along. "The five-thirty train has been in and gone half an hour ago," answered that brisk official. "But there was a passenger dropped off for you--a little girl. She s sitting out there on the shingles. I asked her to go into the ladies waiting room, but she informed me gravely that she preferred to stay outside. `There was more scope for imagination, she said. She s a case, I should say." "I m not expecting a girl," said Matthew blankly. "It s a boy I ve come for. He should be here. Mrs. Alexander Spencer was to bring him over from Nova Scotia for me." The stationmaster whistled. "Guess there s some mistake," he said. "Mrs. Spencer came off the train with that girl and gave her into my charge. Said you and your sister were adopting her from an orphan asylum and that you would be along for her presently. That s all I know about it--and I haven t got any more orphans concealed hereabouts." "I don t understand," said Matthew helplessly, wishing that Marilla was at hand to cope with the situation. "Well, you d better question the girl," said the station- master carelessly. "I dare say she ll be able to explain-- she s got a tongue of her own, that s certain. Maybe they were out of boys of the brand you wanted." He walked jauntily away, being hungry, and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den--walk up to a girl--a strange girl--an orphan girl--and demand of her why she wasn t a boy. Matthew groaned in spirit as he turned about and shuffled gently down the platform towards her. She had been watching him ever since he had passed her and she had her eyes on him now. Matthew was not looking at her and would not have seen what she was really like if he had been, but an ordinary observer would have seen this A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. So far, the ordinary observer; an extraordinary observer might have seen that the chin was very pointed and pronounced; that the big eyes were full of spirit and vivacity; that the mouth was sweet-lipped and expressive; that the forehead was broad and full; in short, our discerning extraordinary observer might have concluded that no commonplace soul inhabited the body of this stray woman- child of whom shy Matthew Cuthbert was so ludicrously afraid. Matthew, however, was spared the ordeal of speaking first, for as soon as she concluded that he was coming to her she stood up, grasping with one thin brown hand the handle of a shabby, old-fashioned carpet-bag; the other she held out to him. "I suppose you are Mr. Matthew Cuthbert of Green Gables?" she said in a peculiarly clear, sweet voice. "I m very glad to see you. I was beginning to be afraid you weren t coming for me and I was imagining all the things that might have happened to prevent you. I had made up my mind that if you didn t come for me to-night I d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night. I wouldn t be a bit afraid, and it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine, don t you think? You could imagine you were dwelling in marble halls, couldn t you? And I was quite sure you would come for me in the morning, if you didn t to-night." Matthew had taken the scrawny little hand awkwardly in his; then and there he decided what to do. He could not tell this child with the glowing eyes that there had been a mistake; he would take her home and let Marilla do that. She couldn t be left at Bright River anyhow, no matter what mistake had been made, so all questions and explanations might as well be deferred until he was safely back at Green Gables. "I m sorry I was late," he said shyly. "Come along. The horse is over in the yard. Give me your bag." "Oh, I can carry it," the child responded cheerfully. "It isn t heavy. I ve got all my worldly goods in it, but it isn t heavy. And if it isn t carried in just a certain way the handle pulls out--so I d better keep it because I know the exact knack of it. It s an extremely old carpet-bag. Oh, I m very glad you ve come, even if it would have been nice to sleep in a wild cherry-tree. We ve got to drive a long piece, haven t we? Mrs. Spencer said it was eight miles. I m glad because I love driving. Oh, it seems so wonderful that I m going to live with you and belong to you. I ve never belonged to anybody--not really. But the asylum was the worst. I ve only been in it four months, but that was enough. I don t suppose you ever were an orphan in an asylum, so you can t possibly understand what it is like. It s worse than anything you could imagine. Mrs. Spencer said it was wicked of me to talk like that, but I didn t mean to be wicked. It s so easy to be wicked without knowing it, isn t it? They were good, you know--the asylum people. But there is so little scope for the imagination in an asylum--only just in the other orphans. It was pretty interesting to imagine things about them--to imagine that perhaps the girl who sat next to you was really the daughter of a belted earl, who had been stolen away from her parents in her infancy by a cruel nurse who died before she could confess. I used to lie awake at nights and imagine things like that, because I didn t have time in the day. I guess that s why I m so thin--I AM dreadful thin, ain t I? There isn t a pick on my bones. I do love to imagine I m nice and plump, with dimples in my elbows." With this Matthew s companion stopped talking, partly because she was out of breath and partly because they had reached the buggy. Not another word did she say until they had left the village and were driving down a steep little hill, the road part of which had been cut so deeply into the soft soil, that the banks, fringed with blooming wild cherry-trees and slim white birches, were several feet above their heads. The child put out her hand and broke off a branch of wild plum that brushed against the side of the buggy. "Isn t that beautiful? What did that tree, leaning out from the bank, all white and lacy, make you think of?" she asked. "Well now, I dunno," said Matthew. "Why, a bride, of course--a bride all in white with a lovely misty veil. I ve never seen one, but I can imagine what she would look like. I don t ever expect to be a bride myself. I m so homely nobody will ever want to marry me-- unless it might be a foreign missionary. I suppose a foreign missionary mightn t be very particular. But I do hope that some day I shall have a white dress. That is my highest ideal of earthly bliss. I just love pretty clothes. And I ve never had a pretty dress in my life that I can remember--but of course it s all the more to look forward to, isn t it? And then I can imagine that I m dressed gorgeously. This morning when I left the asylum I felt so ashamed because I had to wear this horrid old wincey dress. All the orphans had to wear them, you know. A merchant in Hopeton last winter donated three hundred yards of wincey to the asylum. Some people said it was because he couldn t sell it, but I d rather believe that it was out of the kindness of his heart, wouldn t you? When we got on the train I felt as if everybody must be looking at me and pitying me. But I just went to work and imagined that I had on the most beautiful pale blue silk dress--because when you ARE imagining you might as well imagine something worth while--and a big hat all flowers and nodding plumes, and a gold watch, and kid gloves and boots. I felt cheered up right away and I enjoyed my trip to the Island with all my might. I wasn t a bit sick coming over in the boat. Neither was Mrs. Spencer although she generally is. She said she hadn t time to get sick, watching to see that I didn t fall overboard. She said she never saw the beat of me for prowling about. But if it kept her from being seasick it s a mercy I did prowl, isn t it? And I wanted to see everything that was to be seen on that boat, because I didn t know whether I d ever have another opportunity. Oh, there are a lot more cherry-trees all in bloom! This Island is the bloomiest place. I just love it already, and I m so glad I m going to live here. I ve always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, but I never really expected I would. It s delightful when your imaginations come true, isn t it? But those red roads are so funny. When we got into the train at Charlottetown and the red roads began to flash past I asked Mrs. Spencer what made them red and she said she didn t know and for pity s sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too, but how you going to find out about things if you don t ask questions? And what DOES make the roads red?" "Well now, I dunno," said Matthew. "Well, that is one of the things to find out sometime. Isn t it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive-- it s such an interesting world. It wouldn t be half so interesting if we know all about everything, would it? There d be no scope for imagination then, would there? But am I talking too much? People are always telling me I do. Would you rather I didn t talk? If you say so I ll stop. I can STOP when I make up my mind to it, although it s difficult." Matthew, much to his own surprise, was enjoying himself. Like most quiet folks he liked talkative people when they were willing to do the talking themselves and did not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he "kind of liked her chatter." So he said as shyly as usual "Oh, you can talk as much as you like. I don t mind." "Oh, I m so glad. I know you and I are going to get along together fine. It s such a relief to talk when one wants to and not be told that children should be seen and not heard. I ve had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven t you?" "Well now, that seems reasonable," said Matthew. "Mrs. Spencer said that my tongue must be hung in the middle. But it isn t--it s firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. And there weren t any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them, `Oh, you POOR little things! If you were out in a great big woods with other trees all around you and little mosses and Junebells growing over your roots and a brook not far away and birds singing in you branches, you could grow, couldn t you? But you can t where you are. I know just exactly how you feel, little trees. I felt sorry to leave them behind this morning. You do get so attached to things like that, don t you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there s one right below the house." "Fancy. It s always been one of my dreams to live near a brook. I never expected I would, though. Dreams don t often come true, do they? Wouldn t it be nice if they did? But just now I feel pretty nearly perfectly happy. I can t feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew s eyes. Matthew was not used to deciding on the tints of ladies tresses, but in this case there couldn t be much doubt. "It s red, ain t it?" he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it s red," she said resignedly. "Now you see why I can t be perfectly happy. Nobody could who has red hair. I don t mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I CANNOT imagine that red hair away. I do my best. I think to myself, `Now my hair is a glorious black, black as the raven s wing. But all the time I KNOW it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn t red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I m afraid I can t," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go- round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven t," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don t know exactly." "Neither do I. I can never decide. But it doesn t make much real difference for it isn t likely I ll ever be either. It s certain I ll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you re feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven t very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments profound reflection. "It is a kind of pretty place." "Pretty? Oh, PRETTY doesn t seem the right word to use. Nor beautiful, either. They don t go far enough. Oh, it was wonderful--wonderful. It s the first thing I ever saw that couldn t be improved upon by imagination. It just satisfies me here"--she put one hand on her breast--"it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can t recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn t call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn t that a nice imaginative name? When I don t like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I m glad and I m sorry. I m sorry because this drive has been so pleasant and I m always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it s so often the case that it isn t pleasanter. That has been my experience anyhow. But I m glad to think of getting home. You see, I ve never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn t that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That s Barry s pond," said Matthew. "Oh, I don t like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don t think that can be exactly the same kind of a thrill. Do you think it can? There doesn t seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry s pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope s the name of his place. If it wasn t for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it s near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He s got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There s something dreadful heathenish about it, seems to me. I d ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I m going to shut my eyes tight. I m always afraid going over bridges. I can t help imagining that perhaps just as we get to the middle, they ll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we re getting near the middle. Because, you see, if the bridge DID crumple up I d want to SEE it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn t it splendid there are so many things to like in this world? There we re over. Now I ll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said "We re pretty near home now. That s Green Gables over--" "Oh, don t tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I m sure I ll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child s eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That s it, isn t it?" she said, pointing. Matthew slapped the reins on the sorrel s back delightedly. "Well now, you ve guessed it! But I reckon Mrs. Spencer described it so s you could tell." "No, she didn t--really she didn t. All she said might just as well have been about most of those other places. I hadn t any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I ve pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I d be so afraid it was all a dream. Then I d pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I d better go on dreaming as long as I could; so I stopped pinching. But it IS real and we re nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde s Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child s disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER I UP CHAPTER III 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 32 53 (Tue)
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HTML5とCSS3で追加された機能やタグを使ってフォームを今風にしていきたいと思います。11月22日記事 イメージ 目次 何が新しいのか？ コード まとめ 何が新しいのか？ HTML placeholder placeholder属性を指定することで、あらかじめテキストの中身を灰色などで表現しておくことができます。 input type="email" スマートフォンなどの入力の際に、ボタンに@ボタンがあらわれたりします。 CSS last-child 疑似要素の focusはCSS2ですが、 last-childはCSS3になってから追加されたものです。 コード HTML !DOCTYPE HTML html head meta charset="utf-8" link rel="stylesheet" type="text/css" href="reset.css" link rel="stylesheet" type="text/css" href="style.css" title HTML5+CSS3的フォーム /title /head body div class="form_container" h1 登録 /h1 form action="confirm.php" method="post" ul li label for="email" メールアドレス /label input type="email" name="email" placeholder="mail@example.com" /li li label for="password" パスワード /label input type="password" name="nickname" placeholder="New Password" /li li label for="password" 再パスワード /label input type="password" name="nickname" placeholder="Password again" /li li label for="nickname" ニックネーム /label input type="text" name="nickname" placeholder="Nickname" /li /ul button class="submit" 確認 / confirm /button /form /div /body /html CSS @charset "utf-8"; /* CSS Document */ .form_container{ margin 20px auto; padding 30px; width 750px; min-height 100px; border 1px solid #CCC; border-radius 10px; font-family "ヒラギノ角ゴ Pro W3", "Hiragino Kaku Gothic Pro", "メイリオ", Meiryo, Osaka, "ＭＳ Ｐゴシック", "MS PGothic", sans-serif; } .form_container h1{ text-align center; font-size 20px; border-bottom 2px solid #CCC; padding 5px; } /*入力をしようとしてタップしたときの枠の挙動*/ * focus {outline none;} .form_container input focus{ background #fff; border 1px solid #555; box-shadow 0 0 3px #aaa; } .form_container ul { width 750px; list-style-type none; list-style-position outside; margin-bottom 20px; padding 0px; } .form_container li{ padding 12px; border-bottom 1px solid #eee; position relative; } /*liタグの最後の線は太くする*/ .form_container li last-child { border-bottom 2px solid #CCC; } .form_container label{ width 350px; margin-top 3px; display inline-block; float left; } .form_container input{ height 20px; width 220px; padding 5px 8px; border 1px solid #aaa; box-shadow 0px 0px 3px #ccc, 0 10px 15px #eee inset; border-radius 2px; } /*buttonスタイル*/ button.submit { display block; margin 0 auto; background-color #ffbc36; background -webkit-gradient(linear, left top, left bottom, from(#ffbc36), to(#cf9829)); background -webkit-linear-gradient(top, #ffbc36, #cf9829); background -moz-linear-gradient(top, #ffbc36, #cf9829); background -ms-linear-gradient(top, #ffbc36, #cf9829); background -o-linear-gradient(top, #ffbc36, #cf9829); background linear-gradient(top, #ffbc36, #cf9829); border 1px solid #f5d787; border-bottom 1px solid #a28a2c; border-radius 3px; -webkit-border-radius 3px; -moz-border-radius 3px; -ms-border-radius 3px; -o-border-radius 3px; box-shadow inset 0 1px 0 0 #d6b961; -webkit-box-shadow 0 1px 0 0 #d6b961 inset ; -moz-box-shadow 0 1px 0 0 #d6b961 inset; -ms-box-shadow 0 1px 0 0 #d6b961 inset; -o-box-shadow 0 1px 0 0 #d6b961 inset; color white; font-weight bold; padding 15px 30px; text-align center; text-shadow 0 -1px 0 #705217; } button.submit hover { opacity .85; cursor pointer; } button.submit active { border 1px solid #20911e; box-shadow 0 0 10px 5px #356b0b inset; -webkit-box-shadow 0 0 10px 5px #356b0b inset ; -moz-box-shadow 0 0 10px 5px #356b0b inset; -ms-box-shadow 0 0 10px 5px #356b0b inset; -o-box-shadow 0 0 10px 5px #356b0b inset; } まとめ jQueryを使って入力されたニックネームやメールアドレスが同じかどうかを判定することもありますが、まずはHTMLとCSSのみでフォームを作成していきました。
https://w.atwiki.jp/keisks/pages/60.html
個人的なセットアップメモです。上から順番に行っていくと何かとスムーズ。 system preference general (color preference) desktop dock energy saver keyboard setting add Japanese (input sources) or install google Japanese IME swap capslock and ctrl key repeat https //www44.atwiki.jp/keisks/pages/468.html trackpad sound touchID accessibility (mouse trackpad options) enable three finger dragging https //support.apple.com/en-us/HT204609 mission control (multiple display) http //itstrike.biz/apple/10590/ intall iterm2 homebrew (including xcode) https //brew.sh/ brew install git tmux tree wdiff wget vim coreutils brew link vim 失敗する場合は sudo chown -R `whoami` admin /usr/local/share/man/de/man1 (https //apple.stackexchange.com/questions/362833/make-homebrew-installed-vim-override-system-installed-one) のあとにbrew link vim fonts brew tap sanemat/font brew install ricty --with-powerline cp -f /usr/local/opt/ricty/share/fonts/Ricty*.ttf ~/Library/Fonts/ fc-cache -vf cd ~/Library/Fonts curl -fLo "Droid Sans Mono for Powerline Nerd Font Complete.otf" https //github.com/ryanoasis/nerd-fonts/raw/master/patched-fonts/DroidSansMono/complete/Droid%20Sans%20Mono%20Nerd%20Font%20Complete.otf dotfiles clone from my bitbucket e.g., sh dotfiles/common/initial_link_mac.sh 一度terminal を閉じてpathを最新にする。 vim Vundle インストール https //github.com/VundleVim/Vundle.vim#quick-start vimを開いてPluginIsntallを実行 iTerm2の細かい設定 color scheme https //github.com/mbadolato/iTerm2-Color-Schemes/tree/master/schemes this is included in my bitbucket font ascii Ricty for powerline non-ascii Droind sansmono nerd ssh key https //help.github.com/articles/generating-a-new-ssh-key-and-adding-it-to-the-ssh-agent/ edit .ssh/config anaconda pip install --ignore-installed -U flake8 other apps see my memo (in evernote) sync cloud storage finderを整える（表示するものしないもの） http //d.hatena.ne.jp/shunsuk/20090714/1247567640 Done. Enjoy!
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Worterbuch Der Elektrotechnik, Fernmeldetechnik Und Elektronik Oscar Brandstetter Verlag GmbH & Co KG? Werner Goedecke? OscarBrandstetterVerlagGmbH&CoKG? WernerGoedecke? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-51? Subjects-Engineering-Telecommunications? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Telecommunications? Worterbuch Der Elektrotechnik, Fernmeldetechnik Und Elektronik Oscar Brandstetter Verlag GmbH & Co KG? Werner Goedecke? OscarBrandstetterVerlagGmbH&CoKG? WernerGoedecke? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-51? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Telecommunications? Worterbuch Der Elektrotechnik, Fernmeldetechnik Und Elektronik Oscar Brandstetter Verlag GmbH & Co KG? Werner Goedecke? OscarBrandstetterVerlagGmbH&CoKG? WernerGoedecke? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-51? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Telecommunications? German-English Technical and Engineering Dictionary I B D Ltd? Louis De Vries? Theo M. Herrmann? IBDLtd? LouisDeVries? TheoM.Herrmann? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Engineering-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Dictionary of Cable Engineering English-German-French I B D Ltd? C. Richling? I. Drewitz? IBDLtd? C.Richling? I.Drewitz? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Engineering? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Professional&Technical-Engineering? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-General? Elektromaschinen - Worterbuch Oscar Brandstetter Verlag GmbH & Co KG? OscarBrandstetterVerlagGmbH&CoKG? ユーズドブック(洋書)-Engineering Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Science-Physics-Applied? Geometry of Digital Spaces (Applied Numerical Harmonic Analysis) Birkhauser Verlag AG? Gabor T. Herman? BirkhauserVerlagAG? GaborT.Herman? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Engineering-ComputerTechnology-ImagingSystems? Subjects-Professional&Technical-Engineering-ComputerTechnology-ImagingSystems? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-Topology? Subjects-Science-Mathematics-Geometry&Topology? Partial Stability and Control Birkhauser Verlag AG? V.I. Vorotnikov? BirkhauserVerlagAG? V.I.Vorotnikov? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Science-Physics-Dynamics-General? Gene Quantification (Advanced Biomedical Technologies) Birkhauser Verlag AG? Francois Ferre? BirkhauserVerlagAG? FrancoisFerre? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Medical-BasicSciences-Genetics? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-Nature&Ecology-General? Gabor Analysis and Algorithms (Applied Numerical Harmonic Analysis) Birkhauser Verlag AG? Ingrid Daubechies? H.G. Feichtinger? T. Strohmer? Hans G. Feichtinger? Thomas Strohmer? BirkhauserVerlagAG? IngridDaubechies? H.G.Feichtinger? T.Strohmer? HansG.Feichtinger? ThomasStrohmer? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Mathematics-Applied? Intelligent Methods in Signal Processing and Communications Birkhauser Verlag AG? Domingo DoCampo- Amoeda? BirkhauserVerlagAG? DomingoDoCampo-Amoeda? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Dictionnaire General De LA Technique Industrielle Vol 1 (French - English) Schoenhofs Foreign Books? Richard Ernst? SchoenhofsForeignBooks? RichardErnst? ユーズドブック(洋書)-Engineering Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Science-Chemistry-Industrial&Technical? Minimum Entropy Control for Time-Varying Systems (Systems Control) Birkhauser Verlag AG? Marc Peters? Pablo Iglesias? P. Inglesias? BirkhauserVerlagAG? MarcPeters? PabloIglesias? P.Inglesias? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Physics-Dynamics-Thermodynamics? Numerical Methods and Software Tools in Industrial Mathematics Birkhauser? Morten Daehlen? Birkhauser? MortenDaehlen? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Substores-UnknownASINs-48? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-Methodology? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Particle Modelling (Modeling Simulation in Science, Engineering Technology) Birkhauser Verlag AG? Donald Greenspan? BirkhauserVerlagAG? DonaldGreenspan? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Subjects-Science-Mathematics-Applied? Subjects-Science-Physics-Mechanics? Subjects-Science-Physics-QuantumTheory? Computer Intensive Methods in Control and Signal Processing Birkhauser Verlag AG? K. Warwick? M. Karny? BirkhauserVerlagAG? K.Warwick? M.Karny? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? 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Worterbuch Der Industriellen Technik Oscar Brandstetter Verlag GmbH & Co KG? R. Ernst? OscarBrandstetterVerlagGmbH&CoKG? R.Ernst? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Substores-UnknownASINs-66? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage? Subjects-Science-Technology-General&Reference If Communication Design Award 2004 (IF Design Award) Birkhauser (Architectural)? iF International Forum Design? Birkhauser? Birkhauser(Architectural)? iFInternationalForumDesign? Birkhauser? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-GraphicDesign-Design-General? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? 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Claude Gomez? Casey Bunks? Jean-Philipe Chancelior? Francois Delebecque? BirkhauserVerlagAG? ClaudeGomez? CaseyBunks? Jean-PhilipeChancelior? FrancoisDelebecque? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Computers&Internet? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Metallurgie und Giessereitechnik. Deutsch - Englisch. Mit etwa 40.000 Wortstellen Brandstetter Oscar Verla? Karl Stoelzel? BrandstetterOscarVerla? KarlStoelzel? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Materials-Metallurgy? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-German? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage-German? Non-linear Fluid Dynamics (Modeling Simulation in Science, Engineering Technology) Birkhauser Verlag AG? Clifford Truesdell? K.R. Rajagopal? BirkhauserVerlagAG? CliffordTruesdell? K.R.Rajagopal? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-FluidMechanics? Electrodynamics Birkhauser Verlag AG? William E. Baylis? BirkhauserVerlagAG? WilliamE.Baylis? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Electromagnetism? Subjects-Science-Physics-Electromagnetism-General? Computational Optimal Control (International Series of Numerical Mathematics) Birkhauser Verlag AG? R. Bulirsch? D. Kraft? BirkhauserVerlagAG? R.Bulirsch? D.Kraft? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Substores-UnknownASINs-48? Subjects-Computers&Internet-Networking-DataintheEnterprise-StatisticalComputing? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Mathematics-Applied-General? Student Housing Princeton Architectural Press? Albert Von Mutius? A. Von Mutius? Von Mutius? PrincetonArchitecturalPress? AlbertVonMutius? A.VonMutius? VonMutius? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-Residential? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-International-European? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Nonfiction-Education-College&University-General? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-Residential? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-International-European? Oxidative Stress and Aging (Molecular Cell Biology Updates) Birkhauser Verlag AG? Richard Cutler? BirkhauserVerlagAG? RichardCutler? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Substores-UnknownASINs-48? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-Specialties-Geriatrics? Subjects-Medicine-InternalMedicine-General? Subjects-Outdoors&Nature-Ecology-Animals-Mammals? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Geriatrics? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-Nature&Ecology-Animals-Mammals? Subjects-Science-BiologicalSciences-Zoology-Mammals? Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Biology-CellBiology? Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-Specialties-Geriatrics? Subjects-Science-Medicine-InternalMedicine-General? Worterbuch Der Industriellen Technik Oscar Brandstetter Verlag GmbH & Co KG? Richard Ernst? OscarBrandstetterVerlagGmbH&CoKG? RichardErnst? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Substores-UnknownASINs-51? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage? Subjects-Science-Technology-General&Reference International Encyclopedia of Abbreviations and Acronyms in Science and Technology K G Saur? KGSaur? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-General? 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ACTE 2 (Le theatre change et represente les jardins de Ceres.) SCENE 1 Crinise, Alphée. Crinise Jupiter a dompté les geans pour jamais. Ce beau sejour brille de nouveaux charmes, Tout y ressent le retour de la paix Ah ! Que le repos a d attraits Apres de mortelles allarmes. Alphée La paix dans ces beaux lieux m offre en vain mille appas. L amour en rend pour moy la douceur inutile ; Cruel Amour, helas ! Que me sert-il de voir tout le monde tranquille Si mon coeur ne l est pas ? Crinise Vous changez, vous quittez une nymphe inhumaine. Vostre coeur ne risque rien A choisir une autre chaîne, C est toujours un bien De changer de peine. Alphée Heureux qui peut estre inconstant ! Rebutté des rigueurs d une haine éternelle, J ay voulu la quitter cette beauté cruelle, Et j esprouve qu en la quittant Mon coeur est encor moins content. J ay feint de ressentir une flamme nouvelle, J ay fait voir à ses yeux un dépit éclatant ; Mais helas ! Dans le mesme instant Je brûlois en secret, je languissois pour elle, Et je ne l aimay jamais tant. Qu il couste cher d estre fidelle ! Heureux qui peut estre inconstant ! (Crinise et Alphée repettent ensemble ces deux derniers vers.) Crinise Quelqu un vient, gardez le silence. Alphée C est Ascalaphe qui s avance Pour quelque soin pressant il quitte les enfers Il n a de mon amour que trop de connoissance, Où n ay-je point porté la honte de mes fers ? SCENE 2 Ascalaphe, Alphée Alphée Venez goûter icy le doux air qu on respire. Ascalaphe Je dois suivre le dieu de l infernal empire. La terre par ses tremblements Vient d ébranler les fondements De nos demeures sombres Pluton a voulu voir si la clarté des cieux Ne s ouvre point de passage en ces lieux Pour aller aux enfers effaroucher les ombres. Il me permet de voir Arethuse un moment. Alphée D où vous vient tant d empressement ? Ascalaphe Je l ay veuë aux enfers ; que je la trouvois belle ! Alphée L ingrate me fuyoit, elle est toujours cruelle. Ascalaphe Ses cruautés pour vous, ses soins pour fuir vos pas Ont encore à mes yeux augmenté ses appas. Alphée Les flammes amoureuses Descendent-elles jusqu à vous ? L Amour veut un sejour plus doux Que vos demeures tenebreuses. Ascalaphe L astre brillant qui vous luit Finit son cours dans les ondes, Il ne peut percer la nuit De nos demeures profondes ; Mais il n est point de sejour Impenetrable à l Amour. Alphée Qu esperez-vous d une ame si severe ? Mon amour ne peut l émouvoir. Ascalaphe Si vous ne sçavez pas le secret de luy plaire Un autre pourra le sçavoir. Alphée Sçaurez-vous de son coeur vaincre la resistance ? Est-ce aux enfers qu on apprend ce secret ? Ascalaphe On aprend aux enfers à garder le silence, Et l on y sçait estre discret ; La nymphe que je cherche avec soin vous évite, Pour la trouver, il faut que je vous quitte. SCENE 3 Alphée seul. Amants qui n estes point jaloux, Que vostre sort est doux ! L Amour m a fait gêmir sous une dure chaîne ; Mais quand je me plaignois de ses funestes coups Je ne connoissois pas le plus cruel de tous. Un autre aime Arethuse et ne craint point sa haine ; Et je voy sur moy seul tomber tout son courroux C estoit peu du malheur d aimer une inhumaine, Le bonheur d un rival a redoublé ma peine. Amants qui n estes point jaloux, Que vostre sort est doux ! SCENE 4 Alphée, Arethuse Alphée Ingrate, escoutez-moy, je ne veux plus me plaindre, Je ne vous diray rien qui vous puisse allarmer. Arethuse Vous cessez de m aimer, Je cesse de vous craindre. Alphée Ascalaphe vous cherche icy, Bien-tost vous le verrez paraistre ; Arethuse, peut-estre, Vous le cherchez aussi. Arethuse L aimable Proserpine en vostre ame a fait naistre Une nouvelle ardeur ; Si vous ne m aimez plus, que vous sert de connaistre Le secret de mon coeur ? Alphée Faut-il que vostre coeur à l amour moins rebelle Recompense un amant sans esprouver sa foy ? Si ce bien eust esté le prix du plus fidele, Ah ! Vous sçavez, cruelle, Qu il n estoit dû qu à moy. Arethuse Vostre nouvelle chaîne est si belle et si forte ! Pourquoy songer encore à des liens rompus. Que vous importe Qu un autre emporte Un prix qui ne vous touche plus ? Alphée Vous avez fuy les soins de mon amour extresme, Vous m avez osté tout espoir Si je disois que je vous aime, Vous m osteriez encor le plaisir de vous voir. Arethuse et Alphée. C est une (C’est un) autre que moy qui regne dans vostre ame, Vous trouvez d autres noeuds plus doux En vain je veux cacher ma flâme, Mon amour paroist trop dans mes transports jaloux ; Non, je ne puis aimer que vous. SCENE 5 Ascalaphe, Arethuse, Alphée Arethuse Est-il vray que mon coeur soit en vostre puissance ? Ascalaphe Je vous aime sans esperance ; J ay voulu soulager mon mal Par le chagrin de mon rival. Dans les enfers, c est ainsi qu on en use Mes maux n ont pû trouver d autre adoucissement. Pardonnez-moy, belle arethuse, Je ne suis pas le seul qui se vante en aimant De posseder un coeur qu on luy refuse. Mais Alphée aujourd huy n est plus tant rebutté ; Vous ne fuyez plus sa presence. Arethuse Pour punir vostre vanité Je veux que vous voyez triompher sa constance. Ascalaphe En luy donnant la preference, Vous me rendez la liberté. C’est goûter la félicité Que d’Amour braver la puissance. Alphée et Arethuse. Pour estre heureux, il faut qu on aime bien. Ascalaphe Pour estre heureux il faut qu on n aime rien. Mais Pluton va bien-tost rentrer dans son empire Il passe en ces lieux, il admire Les charmes d un sejour si doux. SCENE 6 Pluton, Arethuse, Ascalaphe, Alphée Pluton Demeurez Arethuse, Alphée esloignez-vous. (Alphée se retire, et Pluton continue à parler.) Les efforts d un geant qu on croyoit accablé Ont fait encor frémir le ciel, la terre, et l onde Mon empire s en est troublé ; Jusqu au centre du monde Mon trosne en a tremblé. L affreux Typhon avec sa vaine rage Trébuche enfin dans des gouffres sans fonds. L éclat du jour ne s ouvre aucun passage Pour penetrer les royaumes profonds Qui me sont échus en partage. Le ciel ne craindra plus que ses fiers ennemis Se relevent jamais de leur chûte mortelle, Et du monde esbranlé par leur fureur rebelle Les fondemens sont raffermis Je puis faire goûter une paix eternelle Aux peuples souterrains que le sort m a soumis. Mais par vos soins puis-je voir Proserpine Avant que de quitter cet aimable sejour ? Arethuse Cette fiere beauté s obstine A fuir les amants et l amour. Dans l innocent repos de cette solitude Elle évite les dieux De la terre et des cieux Jugez de son inquietude Si le dieu des enfers paroissoit à ses yeux. Caché sous cét espais feuillage Vous pourriez la voir un moment. Pluton Allez, il suffira que vostre soin l engage A venir dans ce lieu charmant, Et si je puis la voir il n importe comment. SCENE 7 Pluton, Ascalaphe Ascalaphe J ay peine à concevoir d où vient le trouble extrême Où le coeur de Pluton semble s abandonner. Pluton Tu peux t en estonner, J en suis surpris moy-mesme J ay trouvé Proserpine en visitant ces lieux. Les pleurs couloient de ses beaux yeux Elle fuyoit, interdite, et tremblante ; Pour implorer l assistance des dieux Elle tournoit ses regards vers les cieux Sa douleur et son espouvante Rendoient encor sa beauté plus touchante. Les accens plaintifs de sa voix Ont ému mon coeur inflexible ; Qu un coeur fier est troublé quand il devient sensible Ppour la premiere fois ! Ascalaphe Contre l Amour quel coeur peut se deffendre ? Le temps d aymer n est pas connu, Il faut l attendre ; Quand ce temps fatal est venu, Il faut se rendre. Contre l amour quel coeur peut se deffendre ? Pluton De ce dieu si puissant je mesprisois les feux, J esprouve enfin sa vengeance cruelle. Je l ay veu, ce dieu dangereux, Il suivoit Proserpine; il voloit après elle. J ay veu de sa fatale main Partir un trait de flamme, J ay voulu l éviter en vain, Le coup a penetré jusqu au fond de mon ame. Ascalaphe L Amour a surmonté le maistre des enfers ; Il n a plus rien à vaincre après cette victoire. Pluton et Ascalaphe. L Amour comblé de gloire Triomphe de tout l univers. SCENE 8 Proserpine, Cyané, Arethuse, Pluton, Ascalaphe, Troupe de nymphes. Quatorze nymphes de la suitte de Proserpine chantantes. Huit nymphes dançantes. Proserpine et ses nymphes. Les beaux jours et la paix Sont revenus ensemble. Pluton La troupe des nymphes s assemble, Retirons-nous sous ce feuillage espais. (Pluton et Ascalaphe se retirent et se cachent, et Proserpine et ses nymphes s avancent en dançant et en chantant.) Proserpine et ses nymphes. Les beaux jours et la paix Sont revenus ensemble. On ne voit plus de coeur qui tremble, Tout rit dans ces lieux pleins d attraits. Les beaux jours et la paix Sont revenus ensemble. (Proserpine et ses nymphes continuent leurs dances et leurs chants.) Proserpine Belles fleurs, charmant ombrage Il ne faut aimer que vous. Le Choeur On ne trouve rien de doux Quand on est dans l esclavage. Proserpine Belles fleurs, charmant ombrage Il ne faut aimer que vous. Le Choeur Les amants n ont en partage Que langueurs, que soins jaloux. Proserpine Belles fleurs, charmant ombrage Il ne faut aimer que vous. Choeur Belles fleurs charmant ombrage, Il ne faut aimer que vous. Proserpine Quand un coeur est trop sensible, Rien ne peut le rendre heureux. Le Choeur Dans les plus aimables noeuds On n a point de bien paisible. Proserpine Quand un coeur est trop sensible, Rien ne peut le rendre heureux. Le Choeur C est toujours un mal terrible Que l ardeur des plus beaux feux. Proserpine Quand un coeur est trop sensible, Rien ne peut le rendre heureux. Le Choeur Quand un coeur est trop sensible Rien ne peut le rendre heureux. Proserpine Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Le jour n esclaire Que pour nous plaire, Ces arbres verds Ont leur plus beau feuillage, Et mille oyseaux divers Dans ce boccage Imittent nos concerts Par leur ramage ; Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Tout s interesse Dans nos desirs, Jamais l amour ne nous blesse, Les doux plaisirs Sont pour les coeurs sans foiblesse. Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Le Choeur Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Pour nous deffendre D un amour tendre, Avec fierté, Nous avons pris les armes Nos biens n ont point coûté De tristes larmes, La liberté N a jamais que des charmes Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Proserpine Nous reverrons bien-tost Ceres dans ces beaux lieux, Il faut luy preparer des guirlandes nouvelles. Separons-nous ; voyons qui sçait le mieux Assortir les fleurs les plus belles. Choeur De Nymphes Voyons qui sçait le mieux Assortir les fleurs les plus belles. (Les nymphes s écartent, Proserpine et Cyané cüeillent des fleurs.) SCENE 9 Pluton, Proserpine, Ascalaphe, Cyané, troupe de divinitez des enfers. Huit divinitez infernalles chantantes. Pluton Infernales divinitez Secondez mon amour, sortez. (Une troupe de divinitez infernales sort de la terre, et le char de Pluton paroist en mesme temps.) Proserpine Ciel ! Prenez ma deffence ! Proserpine et Cyané. O ciel ! Protegez l innocence ! Pluton, Ascalaphe, et les divinitez infernales. Proserpine ne craignez pas Un dieu charmé de vos appas. Cyané, retenant Proserpine. Quelle barbare violence ! Pluton Nymphe, crains ma vengeance Sur peine de perdre la voix. Garde-toy de parler de tout ce que tu vois. (L escharpe de Proserpine demeure dans les mains de Cyané, et Pluton fait placer Proserpine prés de luy sur son char.) Proserpine Ciel ! Prenez ma deffence ! Proserpine et Cyané. O ciel ! Protegez l innocence ! Pluton, Ascalaphe, et les divinitez infernales descendans aux enfers avec Proserpine. Proserpine, ne craignez pas, Un dieu charmé de vos appas. Fin du deuxième Acte. ACTE 2 (Le theatre change et represente les jardins de Ceres.) SCENE 1 Crinise, Alphée. Crinise Jupiter a dompté les geans pour jamais. Ce beau sejour brille de nouveaux charmes, Tout y ressent le retour de la paix Ah ! Que le repos a d attraits Apres de mortelles allarmes. Alphée La paix dans ces beaux lieux m offre en vain mille appas. L amour en rend pour moy la douceur inutile ; Cruel Amour, helas ! Que me sert-il de voir tout le monde tranquille Si mon coeur ne l est pas ? Crinise Vous changez, vous quittez une nymphe inhumaine. Vostre coeur ne risque rien A choisir une autre chaîne, C est toujours un bien De changer de peine. Alphée Heureux qui peut estre inconstant ! Rebutté des rigueurs d une haine éternelle, J ay voulu la quitter cette beauté cruelle, Et j esprouve qu en la quittant Mon coeur est encor moins content. J ay feint de ressentir une flamme nouvelle, J ay fait voir à ses yeux un dépit éclatant ; Mais helas ! Dans le mesme instant Je brûlois en secret, je languissois pour elle, Et je ne l aimay jamais tant. Qu il couste cher d estre fidelle ! Heureux qui peut estre inconstant ! (Crinise et Alphée repettent ensemble ces deux derniers vers.) Crinise Quelqu un vient, gardez le silence. Alphée C est Ascalaphe qui s avance Pour quelque soin pressant il quitte les enfers Il n a de mon amour que trop de connoissance, Où n ay-je point porté la honte de mes fers ? SCENE 2 Ascalaphe, Alphée Alphée Venez goûter icy le doux air qu on respire. Ascalaphe Je dois suivre le dieu de l infernal empire. La terre par ses tremblements Vient d ébranler les fondements De nos demeures sombres Pluton a voulu voir si la clarté des cieux Ne s ouvre point de passage en ces lieux Pour aller aux enfers effaroucher les ombres. Il me permet de voir Arethuse un moment. Alphée D où vous vient tant d empressement ? Ascalaphe Je l ay veuë aux enfers ; que je la trouvois belle ! Alphée L ingrate me fuyoit, elle est toujours cruelle. Ascalaphe Ses cruautés pour vous, ses soins pour fuir vos pas Ont encore à mes yeux augmenté ses appas. Alphée Les flammes amoureuses Descendent-elles jusqu à vous ? L Amour veut un sejour plus doux Que vos demeures tenebreuses. Ascalaphe L astre brillant qui vous luit Finit son cours dans les ondes, Il ne peut percer la nuit De nos demeures profondes ; Mais il n est point de sejour Impenetrable à l Amour. Alphée Qu esperez-vous d une ame si severe ? Mon amour ne peut l émouvoir. Ascalaphe Si vous ne sçavez pas le secret de luy plaire Un autre pourra le sçavoir. Alphée Sçaurez-vous de son coeur vaincre la resistance ? Est-ce aux enfers qu on apprend ce secret ? Ascalaphe On aprend aux enfers à garder le silence, Et l on y sçait estre discret ; La nymphe que je cherche avec soin vous évite, Pour la trouver, il faut que je vous quitte. SCENE 3 Alphée seul. Amants qui n estes point jaloux, Que vostre sort est doux ! L Amour m a fait gêmir sous une dure chaîne ; Mais quand je me plaignois de ses funestes coups Je ne connoissois pas le plus cruel de tous. Un autre aime Arethuse et ne craint point sa haine ; Et je voy sur moy seul tomber tout son courroux C estoit peu du malheur d aimer une inhumaine, Le bonheur d un rival a redoublé ma peine. Amants qui n estes point jaloux, Que vostre sort est doux ! SCENE 4 Alphée, Arethuse Alphée Ingrate, escoutez-moy, je ne veux plus me plaindre, Je ne vous diray rien qui vous puisse allarmer. Arethuse Vous cessez de m aimer, Je cesse de vous craindre. Alphée Ascalaphe vous cherche icy, Bien-tost vous le verrez paraistre ; Arethuse, peut-estre, Vous le cherchez aussi. Arethuse L aimable Proserpine en vostre ame a fait naistre Une nouvelle ardeur ; Si vous ne m aimez plus, que vous sert de connaistre Le secret de mon coeur ? Alphée Faut-il que vostre coeur à l amour moins rebelle Recompense un amant sans esprouver sa foy ? Si ce bien eust esté le prix du plus fidele, Ah ! Vous sçavez, cruelle, Qu il n estoit dû qu à moy. Arethuse Vostre nouvelle chaîne est si belle et si forte ! Pourquoy songer encore à des liens rompus. Que vous importe Qu un autre emporte Un prix qui ne vous touche plus ? Alphée Vous avez fuy les soins de mon amour extresme, Vous m avez osté tout espoir Si je disois que je vous aime, Vous m osteriez encor le plaisir de vous voir. Arethuse et Alphée. C est une (C’est un) autre que moy qui regne dans vostre ame, Vous trouvez d autres noeuds plus doux En vain je veux cacher ma flâme, Mon amour paroist trop dans mes transports jaloux ; Non, je ne puis aimer que vous. SCENE 5 Ascalaphe, Arethuse, Alphée Arethuse Est-il vray que mon coeur soit en vostre puissance ? Ascalaphe Je vous aime sans esperance ; J ay voulu soulager mon mal Par le chagrin de mon rival. Dans les enfers, c est ainsi qu on en use Mes maux n ont pû trouver d autre adoucissement. Pardonnez-moy, belle arethuse, Je ne suis pas le seul qui se vante en aimant De posseder un coeur qu on luy refuse. Mais Alphée aujourd huy n est plus tant rebutté ; Vous ne fuyez plus sa presence. Arethuse Pour punir vostre vanité Je veux que vous voyez triompher sa constance. Ascalaphe En luy donnant la preference, Vous me rendez la liberté. C’est goûter la félicité Que d’Amour braver la puissance. Alphée et Arethuse. Pour estre heureux, il faut qu on aime bien. Ascalaphe Pour estre heureux il faut qu on n aime rien. Mais Pluton va bien-tost rentrer dans son empire Il passe en ces lieux, il admire Les charmes d un sejour si doux. SCENE 6 Pluton, Arethuse, Ascalaphe, Alphée Pluton Demeurez Arethuse, Alphée esloignez-vous. (Alphée se retire, et Pluton continue à parler.) Les efforts d un geant qu on croyoit accablé Ont fait encor frémir le ciel, la terre, et l onde Mon empire s en est troublé ; Jusqu au centre du monde Mon trosne en a tremblé. L affreux Typhon avec sa vaine rage Trébuche enfin dans des gouffres sans fonds. L éclat du jour ne s ouvre aucun passage Pour penetrer les royaumes profonds Qui me sont échus en partage. Le ciel ne craindra plus que ses fiers ennemis Se relevent jamais de leur chûte mortelle, Et du monde esbranlé par leur fureur rebelle Les fondemens sont raffermis Je puis faire goûter une paix eternelle Aux peuples souterrains que le sort m a soumis. Mais par vos soins puis-je voir Proserpine Avant que de quitter cet aimable sejour ? Arethuse Cette fiere beauté s obstine A fuir les amants et l amour. Dans l innocent repos de cette solitude Elle évite les dieux De la terre et des cieux Jugez de son inquietude Si le dieu des enfers paroissoit à ses yeux. Caché sous cét espais feuillage Vous pourriez la voir un moment. Pluton Allez, il suffira que vostre soin l engage A venir dans ce lieu charmant, Et si je puis la voir il n importe comment. SCENE 7 Pluton, Ascalaphe Ascalaphe J ay peine à concevoir d où vient le trouble extrême Où le coeur de Pluton semble s abandonner. Pluton Tu peux t en estonner, J en suis surpris moy-mesme J ay trouvé Proserpine en visitant ces lieux. Les pleurs couloient de ses beaux yeux Elle fuyoit, interdite, et tremblante ; Pour implorer l assistance des dieux Elle tournoit ses regards vers les cieux Sa douleur et son espouvante Rendoient encor sa beauté plus touchante. Les accens plaintifs de sa voix Ont ému mon coeur inflexible ; Qu un coeur fier est troublé quand il devient sensible Ppour la premiere fois ! Ascalaphe Contre l Amour quel coeur peut se deffendre ? Le temps d aymer n est pas connu, Il faut l attendre ; Quand ce temps fatal est venu, Il faut se rendre. Contre l amour quel coeur peut se deffendre ? Pluton De ce dieu si puissant je mesprisois les feux, J esprouve enfin sa vengeance cruelle. Je l ay veu, ce dieu dangereux, Il suivoit Proserpine; il voloit après elle. J ay veu de sa fatale main Partir un trait de flamme, J ay voulu l éviter en vain, Le coup a penetré jusqu au fond de mon ame. Ascalaphe L Amour a surmonté le maistre des enfers ; Il n a plus rien à vaincre après cette victoire. Pluton et Ascalaphe. L Amour comblé de gloire Triomphe de tout l univers. SCENE 8 Proserpine, Cyané, Arethuse, Pluton, Ascalaphe, Troupe de nymphes. Quatorze nymphes de la suitte de Proserpine chantantes. Huit nymphes dançantes. Proserpine et ses nymphes. Les beaux jours et la paix Sont revenus ensemble. Pluton La troupe des nymphes s assemble, Retirons-nous sous ce feuillage espais. (Pluton et Ascalaphe se retirent et se cachent, et Proserpine et ses nymphes s avancent en dançant et en chantant.) Proserpine et ses nymphes. Les beaux jours et la paix Sont revenus ensemble. On ne voit plus de coeur qui tremble, Tout rit dans ces lieux pleins d attraits. Les beaux jours et la paix Sont revenus ensemble. (Proserpine et ses nymphes continuent leurs dances et leurs chants.) Proserpine Belles fleurs, charmant ombrage Il ne faut aimer que vous. Le Choeur On ne trouve rien de doux Quand on est dans l esclavage. Proserpine Belles fleurs, charmant ombrage Il ne faut aimer que vous. Le Choeur Les amants n ont en partage Que langueurs, que soins jaloux. Proserpine Belles fleurs, charmant ombrage Il ne faut aimer que vous. Choeur Belles fleurs charmant ombrage, Il ne faut aimer que vous. Proserpine Quand un coeur est trop sensible, Rien ne peut le rendre heureux. Le Choeur Dans les plus aimables noeuds On n a point de bien paisible. Proserpine Quand un coeur est trop sensible, Rien ne peut le rendre heureux. Le Choeur C est toujours un mal terrible Que l ardeur des plus beaux feux. Proserpine Quand un coeur est trop sensible, Rien ne peut le rendre heureux. Le Choeur Quand un coeur est trop sensible Rien ne peut le rendre heureux. Proserpine Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Le jour n esclaire Que pour nous plaire, Ces arbres verds Ont leur plus beau feuillage, Et mille oyseaux divers Dans ce boccage Imittent nos concerts Par leur ramage ; Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Tout s interesse Dans nos desirs, Jamais l amour ne nous blesse, Les doux plaisirs Sont pour les coeurs sans foiblesse. Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Le Choeur Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Pour nous deffendre D un amour tendre, Avec fierté, Nous avons pris les armes Nos biens n ont point coûté De tristes larmes, La liberté N a jamais que des charmes Que nostre vie Doit faire envie ! Le vray bonheur Est de garder son coeur. Proserpine Nous reverrons bien-tost Ceres dans ces beaux lieux, Il faut luy preparer des guirlandes nouvelles. Separons-nous ; voyons qui sçait le mieux Assortir les fleurs les plus belles. Choeur De Nymphes Voyons qui sçait le mieux Assortir les fleurs les plus belles. (Les nymphes s écartent, Proserpine et Cyané cüeillent des fleurs.) SCENE 9 Pluton, Proserpine, Ascalaphe, Cyané, troupe de divinitez des enfers. Huit divinitez infernalles chantantes. Pluton Infernales divinitez Secondez mon amour, sortez. (Une troupe de divinitez infernales sort de la terre, et le char de Pluton paroist en mesme temps.) Proserpine Ciel ! Prenez ma deffence ! Proserpine et Cyané. O ciel ! Protegez l innocence ! Pluton, Ascalaphe, et les divinitez infernales. Proserpine ne craignez pas Un dieu charmé de vos appas. Cyané, retenant Proserpine. Quelle barbare violence ! Pluton Nymphe, crains ma vengeance Sur peine de perdre la voix. Garde-toy de parler de tout ce que tu vois. (L escharpe de Proserpine demeure dans les mains de Cyané, et Pluton fait placer Proserpine prés de luy sur son char.) Proserpine Ciel ! Prenez ma deffence ! Proserpine et Cyané. O ciel ! Protegez l innocence ! Pluton, Ascalaphe, et les divinitez infernales descendans aux enfers avec Proserpine. Proserpine, ne craignez pas, Un dieu charmé de vos appas. Fin du deuxième Acte. Lully,Jean-Baptiste/Proserpine/III
https://w.atwiki.jp/lsl_japan/pages/39.html
イベント http_response http_response(key request_id, integer status, list metadata, string body) このイベントハンドラはllHTTPRequest()関数で送信したリクエストに対して HTTPレスポンスを受信したときに発生します。 また、llHTTPRequest()関数で送信したリクエストに対してリクエストが失敗していたり、タイムアウトした時にも発生します。 request_idにはllHTTPRequest()関数の呼び出しが発生したときにllHTTPRequest()関数が返したUUIDの値が格納されます。 statusはHTTPレスポンスが返されたのか、リクエストが失敗した原因を示すHTTPステータスコードが設定されます。 499はTCPコネクションの確立が失敗したときや、コネクションが確立されても、それが無効なHTTP応答あった場合を示します。 ま、499は相手が無効なSSL証明書を持っている場合や、証明をつけてあっても、 一定時間（60秒に設定されることが多いらしい）以上経過して応答がなかった場合も499を受け取ります。 503はDNSへの問い合わせが失敗したことを示します。 #本来のHTTPにおいてはService Unavailable(サービス利用負荷)と呼ばれ、 サーバはサーバの一時的な過負荷あるいはメインテナンスのために、 現在、リクエストを扱うことができないことを意味します。 metadataは応答について説明するキーと値の組のペアがリストとして格納されます。 現在、返されるであろう唯一のキーはHTTP_BODY_TRUNCATEDです。 Valueにはイベントの受信容量の制限によって切り捨てられた情報のバイト数を示します。 応答がテキストmime-typeを指定する「content-type 」ヘッダーを含んでいる限り,bodyはHTTP応答のbodyに設定されます。 mime-typeが指定されないか、タイプがテキストタイプでないなら、bodyは「"Unsupported or unknown Content-Type." (サポートされないか未知のコンテントタイプ)」に設定されます。 「content-type 」ヘッダーで文字セットを指定すると、ボディーはUTF-8に変換されて応答するでしょう、また、サポートされてない文字コードが指定された場合は「サポートされないか未知の文字集合」に設定されるでしょう。 ボディーは現在、2048バイト以内に制限されます。 "\n"はLSLではコンパイル時に「改行文字」に変換されることを忘れないでください。 そして、あなたのサーバーが"\n"以外の文字を「改行文字」として定義されている可能性があります。 あなたは「改行」を加える適切な方法がないかどうかあなたのサーバのドキュメンテーションをチェックするべきです。 あなたのマイレージは変わるかもしれません。-Ice あなたのWEBサーバーからデーターを得る簡単なスクリプト例 //This script requests from our data source (URL) and echoes out what it sends to the owner of the script //I use this to test my PHP apps personally, it's a simple debugging application so I release it publicly //You may use, redistribute, modify, copy however you feel would be useful string URL="http //www.secondlife.com/httprequest/homepage.php"; key http;//This stores the HTTP request we send. default { [[touch_start]](integer foo) { http=llHTTPRequest(URL, [] ,""); } http_response(key id,integer status, list meta, string body) { if(http==id) { integer i; list lbody=llParseString2List(body,["\n"],[]); integer count=llGetListLength(lbody); //This turns newline characters char(10) //into new lines in chat //These are Unix/LSL style end of lines, //use \r\n in place of \n for //Windows style end of line from web server. for(i=0;i count;i++) { llOwnerSay(llList2String(lbody,i)); } } } }
https://w.atwiki.jp/wikimm/pages/126.html
DaVinci Resolve DaVinci Resolve 18 プロジェクト設定 MrAlexTechSeamless トランジションパック ファイル名 MrAlexTechSeamless MrAlexTechSeamless説明 D \Program\Blackmagic Design\DaVinci Resolve OpenCL 01 .dll After Effects Free 素材 [After Effects Free 素材 https //www.premiumbeat.com/blog/category/after-effects/] 単色背景を作りたい！２パターン紹介 https //start-fromscratch.com/blog/davinciresolve-background/ 動画編集 1回 メディアページ編 https //tokyohappendix.com/editing-tips/dr_mediapage DaVinci Resolve 16 データベースの保存場所 https //furutao.com/blog/2019/11/24/davinci-resolve-01-where-db-files/ DaVinci Resolve17のプロジェクトの保存先 https //oiuy.net/archives/9719 DaVinci Resolveのプロジェクトファイルの保存先 https //sumizoon.hatenablog.com/entry/2019/06/11/200601 DaVinci Resolveでプロジェクトファイルを受け渡す2つの方法 https //vook.vc/n/2149 DaVinci Resolve 無償で高機能な動画編集ソフトについて https //www.pc-koubou.jp/magazine/37640 OBSのシーントランジション設定でカッコよく画面を切り替える方法 https //shifa-channel.com/obs-transition/ Streamlabs OBSでソースを追加・編集して、画面を映す方法 https //vip-jikkyo.net/slobs-sources トランジション素材を自作して設定する方法。スティンガーに透過付き動画を登録して配信演出を付けよう https //arutora.com/21798 DaVinci ResolveをめぐるトラブルシューティングFAQまとめ https //vook.vc/n/1697 【Davinci Resolve 16】対応ファイル形式一覧！読み込めないファイルはどうすれば？ https //aketama.work/dr16-file-type AllTemplates shared by sean ファイル https //www.mediafire.com/folder/0wh5oa8ll1b2c/AllTemplates お荷物のサイズとお届け先の都道府県 https //form.008008.jp/mitumori/PKZI0100Action_doSearch.action 白色のペンキ ターナー色彩 アクリル絵具 ミルクペイント スノーホワイト ニスが塗ってある机に対する接着剤 ターナー色彩 メディウム ミルクペイント マルチプライマー 200ml 仕上げ用のニス 和信ペイント 水性ウレタンニス 屋内木部用 高品質・高耐久・食品衛生法適合 透明クリヤー 130ml コテバケ ハンディ・クラウン INNOVA ワンタッチコテバケ セット 150 osu!をインストールしてプレイするまでの手順（導入方法） http //game2ji.com/osu-install/ ナレッジベース https //osu.ppy.sh/wiki/ja/Installation Aeron Chairs ハーマンミラーストア 編集の概要 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-Introduction-to-Editing.zip 技術 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-The-Art-of-Color-Grading.zip Mini Panel https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-DaVinci-Resolve-Mini-Panel.zip グラフィック https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-and-Graphics.zip Fusionの3D VFX https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-in-3D.zip オーディオ制作 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-1.zip Fairlightのオーディオ制作 href="https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-2.zip メディアの管理 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Managing-Media.zip コンテンツの書き出し https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Delivering-Content.zip LUTSダウンロード https //www.colorgradingcentral.com/free-luts-download-davinci/ あなたの動画をシネマ風に！ 無料のLUT をまとめて129選ご紹介します https //www.shutterstock.com/ja/blog/129-free-cinematic-luts 1 2 3 4 5 6 7 8 動画説明 DaVinci Resolve トランジションを追加できない時の対処法 DaVinci Resolve トランジションを追加できない時の対処法 About DaVinci Resolve 18 The free DaVinci Resolve 18 includes all of the same high quality processing as DaVinci Resolve 18 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 18 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro. If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools and remote rendering, please upgrade to DaVinci Resolve 18 Studio. We hope you do decide to upgrade as your facility grows and you do more advanced work! Important information regarding project library management DaVinci Resolve 18 requires a project library upgrade from DaVinci Resolve 17.4.6 and previous versions. We strongly recommend that you backup your existing (disk based and PostgreSQL based) project libraries before performing an upgrade. What's new in DaVinci Resolve 18 Features marked with * are in progress and may change before the final release. Key Features • Blackmagic Cloud to host and manage cloud-based project libraries. • Collaborate securely over the internet using Blackmagic ID. • Upload and review on Presentations with synced markers and comments.* • Support for intelligent path mapping to relink files automatically. • Vastly improved project library performance for network workflows. • Improved project performance, especially when working with large projects. • New Proxy Generator app for auto-creating proxies within watch folders. • Ability to choose between prioritizing proxies or camera originals. • Proxy files in subfolders are automatically assigned in the media pool. Media Edit • Support for reversing shape, iris and wipe transitions in the edit page. • New subtitle improvements including - Support for timed text TTML, XML and embedded MXF/IMF subtitles. - Ability to view and import subtitles from media storage. - Support for relinking subtitle clips from the media pool. - Subtitle region support with multiple simultaneous captions per track. - Set individual presets, text positions and intuitively edit between regions. - Add, rename and manage regions from the timeline context menu. - Ability to import, export and embed multiple subtitle tracks as TTML. • Support for showing up to 25 simultaneous multicam angles on the viewer. • Edit Index now shows clip duration. • Ability to navigate keyframes outside trimmed clip extents. • Ability to navigate retime keyframes using hotkeys. • Smart bin filter for disabled timelines. • Render in place and open in Fusion actions can be assigned shortcuts. • Reset Fusion composition now works on multiple clip selections. Color • New object mask capability in Magic Mask. • Adjustment clips and Fusion generators can bypass color management. • Support for syncing clip groups in remote grading sessions. • Ability to trigger bidirectional tracking from advanced and mini panels. • Support for matte finesse and 3D qualifier in advanced and mini panels. • Dolby Vision highlight clipping support in advanced panels. • Support for bypassing color outputs from advanced panels. • Add key mixers with auto-connected key outs from advanced panels. • ACES support for Blackmagic Gen 5 camera formats. • Support for the HDR Vivid standard. • Reference gamut compression enabled by default in ACES 1.3. Resolve FX • New Resolve FX Depth Map to generate 3D depth based keys in Studio. • New Resolve FX Fast Noise. • New Resolve FX Despill. • New Resolve FX Surface Tracker for tracking warped surfaces in Studio. • Improved Resolve FX Beauty with new ultra mode. • Improved edge strength and filter controls in Resolve FX Edge Detection. • Option to composite from a second input in Resolve FX Transform. • New bokeh preset for Resolve FX Lens Reflections. • Green-purple control for Resolve FX Chromatic Aberration. • Sizing awareness option in Resolve FX lens flare and radial zoom blurs. Fairlight • Ability to convert fixed bus projects to FlexBus in project settings. • Ability to freely order tracks and buses in the mixer via the track index. • Ability to nudge custom millisecond or sub-frame intervals in the timeline. • Improved quality for time stretched audio. • Improved Dolby Atmos immersive mixing, including binaural monitoring. • Native support for Dolby Atmos production for Linux and Apple silicon. • Independent controls to enable automation and expose parameters. • Improved behavior of automated tracks under VCA control. • Improved meters with configurable decay, peak hold and display modes. • Ability to ctrl-alt click to remove gain and elastic wave keyframes. • Ability to double click a clip in the timeline to rename. • Ability to set record clip name prefix at a per-track level. • Support for renaming underlying tracks when renaming a linked group. • Equalizers with improved Q controls and mouse wheel inputs. • Dynamics with enhanced metering, gain display and enable controls. • Dynamics with improved dry mix, soft knee and metering in FlexBus. • Improved plugin management with replace and copy settings in the mixer. • New built in presets for equalizers and dynamics. • Hold shift and double click clips to extend the edit selection range. • Support for applying audio gain on range selection. • Improved waveform display accuracy under crossfades. • Origination time metadata is now persisted when bouncing mix to track. • Option to trim from unity on the Fairlight Desktop Console. • Support for VCA and bus spill on the Fairlight Desktop Console. • Support for using the Fairlight Desktop Console on Linux systems. • Studio monitoring support for FlexBus on consoles. • Fairlight console option to mute speakers on timeline load. • Support for chasing timecode via Fairlight audio interfaces. • Support for user views in the Fairlight Desktop Console. • Improved mapping for audio effects on the Audio Editor panel. • Ability to use alt + solo to invoke solo safe in the Audio Editor panel. • Support for a new clear mutes action in the timeline menu. • Enabling track mixer controls brings window to focus if already open. • Grid and list modes are persisted for patch, bus and VCA assign. Fusion • Multi-button mode selection in inspector for multiple tools. • Support for all modern and future python 3 versions for scripting. • Support for live previews when using the Text+ color picker. • Multiple new composition blend modes. • New expression animated Custom Poly modifier for masks and strokes. • Faster GPU accelerated paint tool with smoother strokes. • Faster duplicate tool with additional blur, glow and size controls. • Improved fade-on and text ripple title performance. • Improved performance for night vision, glitch, TV and other effects. Codecs • Support for video uploads to internet accounts using custom presets. • Support for encoding mono and stereo MP3 audio. • New HyperDeck export preset in the Quick Export and deliver page. • Ability to render individual clips with timeline effects. • Ability to embed Blackmagic RAW metadata in QuickTime renders. • Custom quality and profile media management options where available. • Support for rendering Dolby Vision compatible H.265 clips. • Support for decoding CMYK format TIFF files. • Support for record date and time metadata for JPEG stills. • Alpha channel support in the IO Encode Plugin SDK. • Support for RED SDK 8.2.2. • New 1440p YouTube preset. • Render option to override ACES gamut compression for round trips. • Main10 is now the default H.265 encoding profile on Mac. General • Support for 10-bit viewers on Windows and Linux in Studio. • Stream video output to remote monitoring in Windows and Linux in Studio. • Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro. • Support for Korean localizations in DaVinci Resolve. • PostgreSQL 13 is now bundled with Project Server. • Support for desktop notifications for collaboration chat. • User preference to import Finder tags as clip keywords on Mac. • Support for importing and exporting Final Cut Pro v1.10 XMLs. • Ability to unlink Dropbox comment and marker sync for timelines. • Playback and render now prevents Mac systems from sleeping. • Support for per-system project working paths in collaboration and cloud. • Support for per-system render cache mode in collaboration and cloud. • Support for setting current project settings as default. • Scripting API support for creating Fusion compositions. • Scripting API support for exporting project archives. • Scripting API support to get and set timeline start timecode. • Scripting API support to detect stale media bins and refresh them. • Scripting API support for updating camera raw sidecar files. • General performance and stability improvements. Intelligent path mapping to relink files automatically DaVinci Resolve 18 has the ability to automatically map and manage paths between users and machines using cloud based project libraries. This ability is enabled by default in the project settings. Once the first user adds media to a project, every additional user or machine only needs to perform a relink to their shared copy of the media. DaVinci Resolve will automatically map these paths so that the media does not go offline for other users. Users can also manually manage shared locations between users and machines. In order to do this, the first user adds a shared media location to the project settings. This could be a shared cloud folder using a service such as Dropbox or Google Drive. Every additional user can then either just relink their footage, or open project settings and set their local path to that media location. New Proxy Generator app to auto-create proxies in watch folders DaVinci Resolve 18 includes a new Proxy Generator app. You can assign one or multiple watch folders to the Proxy Generator. The Proxy Generator app will scan and automatically generate QuickTime proxies with the selected codec in a Proxy subfolder. When importing media into DaVinci Resolve, any proxies found in these subfolders are automatically linked and assigned as proxies in the media pool. This happens even if the proxies are generated after importing the media to the media pool. Improved Proxy Handling DaVinci Resolve 18 allows the user ability to prefer proxies or prefer camera originals. Depending on the setting chosen in the Playback menu, the selected clip type will be prioritized if both proxies and originals are available. Resolve FX Depth Map for depth keying and grading Resolve FX Depth Map generates a depth alpha channel using the DaVinci Neural Engine, allowing you to separate backgrounds, isolate objects at specific depths and create fog, portrait mode and other distance effects. From the effects library in color page, you can apply Depth Map to a node, enable Depth Map Preview to view results, adjust limits, isolate specific depths and finesse results. You can also disable preview, enable OFX alpha and use the alpha output in subsequent nodes. Resolve FX Surface Tracker for tracking warped surfaces The new Resolve FX Surface Tracker in DaVinci Resolve Studio applies textures or effects to flexible and deformable moving surfaces. If the texture you would like to apply has transparency, you should drag the plugin as an FX node rather than apply it on a corrector node. • The bounds tab allows you to select/create a region where you would like to apply the texture. Additional bounds and holes can be added to define complex surfaces. • The mesh tab allows you to establish a mesh over the surface you would like to track. This acts as the starting point for the tracking. • The track tab is where the analysis is performed. You can adjust the motion range for fast-moving objects and the rigidity of the mesh. • The result tab allows you to control how you would like to use the warped surface for warping or compositing content. Improved Resolve FX Beauty with new ultra beauty mode. The ultra beauty mode, now the default setting for Resolve FX Beauty allows for stronger filtering and more natural results. This more powerful effect can even help with smoothing object surfaces, and even some compression artifacts. Convert fixed bus projects to FlexBus Older fixed bus projects can be converted to FlexBus projects by unchecking the use fixed bus mapping control in project settings under Fairlight. This action permanently converts the project's timelines to FlexBus and cannot be undone. Ordering tracks and buses from the track index You can now drag and drop tracks and buses to freely change order in the track index. This order will be reflected in the meters, mixers and the fader panels. You can choose between a single scrollable view or a split view with a fixed section, indicated by an adjustable split point. Configuring meters decay, peak hold and display modes. Fairlight meters now have a Digital VU mode with combined VU and Peak levels in FlexBus projects. From the Project Settings, under Fairlight, you can select IEC 60268-18, Digital VU, or define your own custom levels, scale and decay. Improved plugin management in the mixer You can now copy settings for pan, EQ, dynamics and third party plugins between tracks and buses in the mixer. This can be invoked in multiple ways • Context menus in the plugin dialog or in the mixer graphs of pan, EQ and dynamics. • Hotkeys Shift+Control+C Shift+Control+V (Shift+Command in Mac OS). • Mixer strip header context menus for full channel settings. Improved Python 3 Support The automatic detection of installed Python versions for scripting has been updated to check for default installations for Python 3.3 to 3.10 (and future versions). If set, the PYTHONHOME environment variable (or the explicit PYTHON3HOME and PYTHON2HOME if you have both installed) will be considered. To explicitly override the version used by DaVinci Resolve and Fusion Studio, you can set FUSION_Python3_Home (formerly FUSION_Python36_Home) to point to the base folder. Expression animated Custom Poly modifiers You can now quickly create and animate Fusion masks and strokes using custom poly modifiers. In addition to common expressions, the Custom Poly supports these functions and variables • (px,py) for the current point on the source poly. • disp for the point's displacement on the poly. • index and num for the current point's index (zero-based) and total number of points. • getx(disp), gety(disp) to access polyline values from specific displacements. - getx_at(disp,time), gety_at(disp,time) for displacements and times. - Use get2, get3 variations for additional inputs. • get[rgba][bdwm](x,y) to access image channels with optional black/duplicate/wrapped/mirrored results. Support for 10-bit viewers on Windows and Linux in Studio. In Preferences, under General, DaVinci Resolve Studio now allows enabling 10-bit precision in viewers in Windows and Linux. You will need a capable Nvidia or AMD graphics card, up to date drivers and a 10-bit capable display. Stream video output to remote monitoring in Windows and Linux in Studio. DaVinci Resolve Studio now supports the ability to stream your video monitoring output to a remote Blackmagic Design video monitoring device. This requires • A Windows and Linux Studio system with an Nvidia graphics card. • Remote Studio clients with a Blackmagic design monitoring device. • Windows and Linux clients need an Nvidia graphics card. On the streaming server, you can allow remote streaming connections in Davinci Resolve Preferences under General. By default, TCP port 16410 is used for streaming connections. On the client, go to the Applications folder on Mac or the Windows start menu to the DaVinci Resolve folder, and run the DaVinci Remote Monitoring application. Set the IP address of the server machine. Configure your DeckLink or UltraStudio card on the client machine and press start. The streaming server can now accept the incoming connection prompt and start streaming its monitoring output to remote clients. Currently, remote streaming reflects the cut, edit, color and deliver viewers. It streams stereo audio and does not show overlays or scopes on the client side. Mac OS clients are limited to 8-bit 4 2 0 video formats. Pre-Installation Notes • PostgreSQL 9.0 is the minimum supported version. • PostgreSQL 13 is the recommended version. • 10-bit viewers on Windows Linux needs a capable graphics card and display. Minimum system requirements • Windows 10 Creators Update. • 16 GB of system memory. 32 GB when using Fusion. • Blackmagic Design Desktop Video 10.4.1 or later. • Integrated GPU or discrete GPU with at least 2 GB of VRAM. • GPU which supports OpenCL 1.2 or CUDA 11. • NVIDIA/AMD/Intel GPU Driver version – as required by your GPU. Installing DaVinci Resolve software Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts. Migrating legacy Fairlight projects to DaVinci Resolve In order to import legacy Fairlight DR2 projects into DaVinci Resolve, download and install the following utility on your Windows system https //downloads.blackmagicdesign.com/DaVinciResolve/Fairlight-Project-Importer.zip After installing the utility, you should see an option to "Import Fairlight Project" in the Fairlight menu in DaVinci Resolve. Additional information Please refer to the latest DaVinci Resolve configuration guide for details on Windows support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support/. You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support/. © 2001-2022 Blackmagic Design Pty. Ltd. All rights reserved. Blackmagic Design, Blackmagic, DeckLink, Multibridge, Intensity, H.264 Pro Recorder and "Leading the creative video revolution" are trademarks of Blackmagic Design Pty. Ltd., registered in the U.S.A and other countries. Adobe Premiere Pro, Adobe After Effects and Adobe Photoshop are registered trademarks of Adobe Systems. Avid Media Composer and Avid Pro Tools are registered trademarks of Avid. Apple Final Cut Pro, Apple Motion and Apple Soundtrack Pro are registered trademarks of Apple Computer. Updated April 27, 2022.
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GBXへ戻る R-Type (J) [!] R-Type (U) [!] R-Type DX (J) [C][!] R-Type DX (U) [C][!] R-Type DX (U) [C][b1] R-Type DX (U) [C][b2] R-Type DX (U) [C][t1] R-Type DX (U) [C][t2] R-Type II (J) [!] R-Type II (U) [h1] R-Type II (U) [T+Ger0.99_Star-trans] R-Type II (U) Race Days (Dirty Racing 4 Wheel Drive) (E) [b1] Race Days (Dirty Racing 4 Wheel Drive) (E) [b2] Race Days (Dirty Racing 4 Wheel Drive) (E) Race Days (Dirty Racing 4 Wheel Drive) (U) Race Drivin' (U) [!] Race Drivin' (U) [b1] Race Drivin' (U) [b2] Race Time (E) [C][h1] Racing Mini 4WD (J) [S][b1] Racing Mini 4WD (J) [S] Racing Mini 4WD - Let's Go!! MAX (J) [S] Racing Tamashii (J) [!] Radar Mission (J) Radar Mission (UE) [!] Radikal Bikers (E) (M4) (Prototype) [C] Raging Fighter (UE) [!] Raging Fighter (UE) [b1] Raging Fighter (UE) [b2] Railway (Sachen 4-in-1 Vol. 5) (Unl) [!] Rainbow Islands (E) (M5) [C][!] Rainbow Prince (Unl) RAM Function Test (PD) Rampage - World Tour (U) [C][!] Rampage 2 - Universal Tour (U) [C][!] Rampart (J) Rampart (U) [b1] Rampart (U) [C][!] Rampart (U) [C][b1] Rampart (U) Random Number Generator (PD) [a1] Random Number Generator (PD) Ranma Nibun no Ichi (J) Ranma Nibun no Ichi - Kakugeki!! (J) [b1] Ranma Nibun no Ichi - Kakugeki!! (J) Ranma Nibun no Ichi - Part 2 (J) [b1] Ranma Nibun no Ichi - Part 2 (J) [b2] Ranma Nibun no Ichi - Part 2 (J) [b3] Ranma Nibun no Ichi - Part 2 (J) Raster Bars Test (PD) Rats! (U) (M2) [C][!] Rats! (U) (M2) [C][b1] Rats! (U) (M2) [C][t1] Raven 2 Demo (PD) [a1] Raven 2 Demo (PD) Raven 3 (PD) Ray-Thunder (J) [!] Rayman (E) (M6) [C][!] Rayman (E) (M6) [C][t1] Rayman (U) (M6) [C][!] Rayman (U) (M6) [C][t1] Rayman - Mister Dark no Wana (J) [C][!] Rayman 2 - The Great Escape (E) (M5) [C][!] Rayman 2 - The Great Escape (E) (M5) [C][hI] Razor Freestyle Scooter (U) [C][!] Ready 2 Rumble Boxing (U) [C][!] Ready 2 Rumble Boxing (U) [C][b1] Real Bout Special (J) [S][b1] Real Bout Special (J) [S] Real Ghostbusters, The (U) [!] Real Pro Yakyuu! - Central League Hen (J) [C][!] Real Pro Yakyuu! - Pacific League Hen (J) [C][!] Red Arremer - Makai-Mura Gaiden (J) Red Dreams (Freedom GB2001) (PD) [C] Red Top by Vodka, DCS iOPOP (PD) [C] Rei 3D Pyramid Demo (PD) [b1] Rei 3D Pyramid Demo (PD) Rekishi Masters 512 (J) Rekishi Nendai Anki Point 240 (J) REM-Scan NEC Format by TeamKNOx (PD) [C][a1] REM-Scan NEC Format by TeamKNOx (PD) [C][a2] REM-Scan NEC Format by TeamKNOx (PD) [C] REM-Scan Sony Format by TeamKNOx (PD) [C][a1] REM-Scan Sony Format by TeamKNOx (PD) [C] Remote Control (PD) [C][a1] Remote Control (PD) [C][a2] Remote Control (PD) [C][a3] Remote Control (PD) [C] Remote Control 2 (PD) [C] Remote Control Detector (PD) [C] RemoteBoy (PD) [C] Ren Stimpy Show, The - Space Cadet Adventures (U) [!] Ren Stimpy Show, The - Veediots! (U) [!] Ren Stimpy Sound Sample Test (PD) Renju Club (J) [S] Rentaiou (J) ReRoCon Infra-Red RC (PD) [C] Rescue (PD) [C] Rescue Heroes - Fire Frenzy (U) [C][!] Reservoir Rat (E) (M5) [C][!] Reservoir Rat (E) (M5) [C][b1] Reservoir Rat (E) (M5) [C][t1] Resident Evil Gaiden (E) (M5) [C][!] Resident Evil Gaiden (E) (M5) [C][b1] Resident Evil Gaiden (U) [C][!] Retrieve (J) [S] Return of the Ninja (E) [C][!] Return of the Ninja (U) [C][!] Revelations - The Demon Slayer (U) [C][!] Revelations - The Demon Slayer (U) [C][b1] Revelations - The Demon Slayer (U) [C][BF][T+Pol] Revelations - The Demon Slayer (U) [C][BF] Revelations - The Demon Slayer (U) [C][T+Pol] RGB Grafx Demo (PD) [C] Rhino Rumble (U) [C][!] Rhino Rumble (U) [C][t1] Riddick Bowe Boxing (U) Right! (PD) [C] Ring Rage (J) Ring Rage (U) [!] Rip-Tide Racer (E) (M5) [C][!] Road Champs - BXS Stunt Biking (U) [C][!] Road Rash (Beta) [M][b1] Road Rash (Beta) [M][b2] Road Rash (U) [C][!] Road Rash (U) [M][!] Roadster (J) Roadsters '98 (U) [C][!] Roadsters '98 (U) [C][o1] Roadsters '98 (U) [C][t1] Roadsters Trophy (E) (M6) [C][!] Rob's Pakman (PD) [C] Robin Hood (E) (M6) [C][!] Robin Hood (E) (M6) [C][t1] Robin Hood (E) (M6) [C][t2] Robin Hood - Prince of Thieves (G) Robin Hood - Prince of Thieves (U) Robinson Crusoe by Daniel Defoe V1.3 (PD) [C] Robinson Crusoe by Daniel Defoe V1.4 (PD) [C] Robinson Crusoe by Daniel Defoe V1.5 (PD) [C] Robinson Crusoe by Daniel Defoe V1.6 (PD) [C] Robinson Crusoe by Daniel Defoe V2.0 (PD) [C] Robinson Crusoe by Daniel Defoe V2.3 (PD) [C] Robinson Crusoe by Daniel Defoe V2.3b (PD) [C] Robocop (J) [M][b1] Robocop (J) [M][b2] Robocop (J) [M] Robocop (U) (M6) [C][!] Robocop (U) (M6) [C][t1] Robocop (U) [M][!] Robocop 2 (J) Robocop 2 (U) [b1] Robocop 2 (U) [b2] Robocop 2 (U) Robocop Versus The Terminator (U) [!] Robocop Versus The Terminator (U) [BF] Robopon - Sun Version (U) [C][!] Robot Ponkottsu - Moon Version (J) [C][!] Robot Ponkottsu - Star Version (J) [C][!] Robot Ponkottsu - Star Version (J) [C][b1] Robot Ponkottsu - Star Version (J) [C][BF] Robot Ponkottsu - Sun Version (J) [C][!] Robot Ponkottsu - Sun Version (J) [C][BF] Robot War (PD) Robot Wars - Metal Mayhem (E) (M6) [C][!] Robot Wars - Metal Mayhem (E) (M6) [C][hI] RoboTech - Exit Planet Dust (PD) [C] RoboTech - Exit Planet Dust with Music (PD) [C] Rock'n Monster!! (J) [S][b1] Rock'n Monster!! (J) [S] Rocket Power - Gettin' Air (U) [C][!] Rocket Racer - La glisse De L'extreme (F) [C][!] Rockman 8 (Unl) [p1][b1] Rockman DX3 (Unl) [C] Rockman World (J) Rockman World 2 (J) Rockman World 3 (J) Rockman World 4 (J) (Megaman Hack) Rockman World 4 (J) [b1] Rockman World 4 (J) [b2] Rockman World 4 (J) [t1] Rockman World 4 (J) Rockman World 5 (J) [S][T+Eng] Rockman World 5 (J) [S][T-Eng] Rockman World 5 (J) [S] Rockman X - Cyber Mission (J) [C][!] Rockman X - Cyber Mission (J) [C][b1] Rockman X - Cyber Mission (J) [C][t1] Rockman X2 - Soul Eraser (J) [C][!] Rocky Mountain Trophy Hunter (U) [C][!] Rodland (J) [b1] Rodland (J) Rodland (U) [b1] Rodland (U) Roger Clemens MVP Baseball (J) [!] Roger Clemens MVP Baseball (U) [!] Rogue Orange V1.0 (PD) [C] Rogue Orange V1.1 (PD) [C] Rogue Orange V1.11 (PD) [C] Rogue Orange V1.11 for Bung (PD) [C] Rokumon Tengai Mon-Colle-Knight GB (J) [C][!] Rolan's Curse (U) [!] Rolan's Curse (U) [BF] Rolan's Curse II (U) [!] Rolan's Curse II (U) [b1] Rolan's Curse II (U) [b2] Roland Garros French Open (E) (M6) [C][!] Romantic Dream (PD) [C] Romeo Juliet by William Shakespeare (Polish) (PD) [C] Ronaldo V.Football (E) (M7) [C][!] Ronaldo V.Soccer (U) (M4) [C][!] RoReCon for LEGO Mindstorm V02-20-2000 by teamKNOx (PD) [C] RoReCon for LEGO Mindstorm V03-19-2000 by teamKNOx (PD) [C] Roswell Conspiracies - Aliens, Myths Legends (E) (M3) [C][!] Roswell Conspiracies - Aliens, Myths Legends (U) (M3) [C][!] Rotagraph (PD) [C] Rotating Face Demo (PD) [C] Rotation (PD) Rox (E) [C][!] Rox (J) [C][!] Rox (J) [C][t1] RPG Demo (PD) [C] RPG Intro (PD) [C] RPG Tsukuru GB (J) [C][!] RPG Tsukuru GB (J) [C][T+Eng0.99b_Magecraft] RPG Tsukuru GB (J) [C][T-Eng0.25_Magecraft] RPG Tsukuru GB (J) [C][T-Eng0.35_Magecraft] RPG Tsukuru GB (J) [C][T-Eng0.40_Magecraft] RPG Tsukuru GB (J) [C][T-Eng0.60_Magecraft] RPG Tsukuru GB (J) [C][T-Eng0.85_Magecraft] RPG Tsukuru GB (J) [C][T-Eng0.99_Magecraft] RPN Calculator (PD) [b1] RPN Calculator (PD) [b2] RPN Calculator (PD) [b3] RPN Calculator (PD) [b4] RPN Calculator (PD) [b5] RPN Calculator (PD) RS-232 Send-Receive Demo (PD) [C] Rubble Saver (J) [b1] Rubble Saver (J) [b2] Rubble Saver (J) Rubble Saver II (J) Rugrats - Time Travelers (U) [C][!] Rugrats - Time Travelers (U) [C][b1] Rugrats - Time Travelers (U) [C][t1] Rugrats - Totally Angelica (U) [C][!] Rugrats - Typisch Angelica (G) [C][!] Rugrats in Paris - The Movie (U) [C][!] Rugrats Movie, The (U) [C][!] Rugrats Movie, The (U) [C][b1] Rugrats Movie, The (U) [C][b2] Rugrats Movie, The (U) [C][t1] Rugrats Movie, The (U) [S] Rumble Tumble By SkyRank Games (PD) [C] Rumble Test by DarkFader (PD) [C] Rushed Xmas Greetings from Sack (PD) [C] S World 2 (PD) [C] Sabotage Color Demo (PD) [C] Sabrina - The Animated Series - Spooked! (U) [C][!] Sabrina - The Animated Series - Zapped! (E) (M3) [C][!] Sabrina - The Animated Series - Zapped! (U) [C][!] Sabrina - The Animated Series - Zapped! (U) [C][t1] Sabrina - The Animated Series - Zapped! (U) [C][t2] SaGa 2 - Hihou Densetsu (J) (V1.0) [T+Eng] SaGa 2 - Hihou Densetsu (J) (V1.0) SaGa 2 - Hihou Densetsu (J) (V1.1) SaGa 3 - Jikuu no Hasha (J) Sagaia (J) [!] Sagaia (J) [b1] Sagaia (J) [b2] Sagaia (J) [b3] Sagaia (J) [b4] Sailor Moon Demo (PD) Sailor Super V Movie (PD) Saiyuuki (J) [h1] Saiyuuki (J) Sakata Gorou Kudan no Renju Kyoushitsu (J) [C][!] Sakigake Memorial (PD) Sakura Taisen GB - Geki Hana Kumi Nyuutai! (J) [C][!] Sakura Tasien GB2 - Thunder Volt Sakusen (J) [C][!] Same Game (J) [S] Same Or Not (PD) [C] Samurai Kid (J) [C][!] Samurai Shodown (U) [S][b1] Samurai Shodown (U) [S][b2] Samurai Shodown (U) [S][b3] Samurai Shodown (U) [S][b4] Samurai Shodown (U) [S] San Francisco Rush 2049 (U) [C][!] Sangokushi - GameBoy Han (J) [b1] Sangokushi - GameBoy Han (J) [b2] Sangokushi - GameBoy Han (J) [p1][T+Chi][a1] Sangokushi - GameBoy Han (J) [p1][T+Chi] Sangokushi - GameBoy Han (J) [p1] Sangokushi - GameBoy Han (J) Sangokushi - GameBoy Han 2 (J) [C][!] Sangokushi - GameBoy Han 2 (J) [C][p1][!] Sangokushi - GameBoy Han 2 (J) [C][p1][T+Chi] Sanrio Carnival (J) [b1] Sanrio Carnival (J) [T+Eng1.2_Six Feet Under] Sanrio Carnival (J) [T-Eng1.1_Six Feet Under] Sanrio Carnival (J) Sanrio Carnival 2 (J) Sanrio Timenet - Kako Hen (J) [C][!] Sanrio Timenet - Kako Hen (J) [C][b1] Sanrio Timenet - Kako Hen (J) [C][b2] Sanrio Timenet - Kako Hen (J) [C][b3] Sanrio Timenet - Mirai Hen (J) [C][!] Sanrio Timenet - Mirai Hen (J) [C][b1] Sanrio Timenet - Mirai Hen (J) [C][T+Eng] Sanrio Uranai Party (J) Santa Claus Junior (E) [C][!] Saru Puncher (J) [C][!] Saru Puncher (J) [C][b1] Satoru Nakajima - F-1 Hero '91 (J) [h1C] Satoru Nakajima - F-1 Hero '91 (J) Satoru Nakajima - F-1 Hero - The Graded Driver '92 (J) [!] Satoru Nakajima - F-1 Hero - The Graded Driver '92 (J) [b1] Scooby-Doo! - Classic Creep Capers (U) [C][!] Scotland Yard (J) Scrabble (E) [C][!] Scramble (PD) [C] Scroll Test Dungeon (PD) [C] Scroll Test Garden (PD) [C] Scrolling Blue Demo (PD) [C] Scrolling Demo 2 (PD) SD Command Gundam - G-Arms (J) [!] SD Command Gundam - G-Arms (J) [b1] SD Gundam Gaiden - Lacroan' Heroes (J) [!] SD Gundam Gaiden - Lacroan' Heroes (J) [b1] SD Gundam Gaiden - Lacroan' Heroes (J) [o1] SD Gundam Gaiden - Lacroan' Heroes (J) [p1][T+Chi][!] SD Hiryuu no Ken EX (J) [C][!] SD Hiryuu no Ken EX (J) [C][BF] SD Hiryuu no Ken EX (J) [C][f1] SD Hiryuu no Ken EX (J) [C][t1] SD Hiryuu no Ken Gaiden (J) [S][!] SD Hiryuu no Ken Gaiden (J) [S][b1] SD Hiryuu no Ken Gaiden (J) [S][b2] SD Hiryuu no Ken Gaiden (J) [S][b3] SD Hiryuu no Ken Gaiden 2 (J) [S][!] SD Lupin III - Kinko Yaburi Daisakusen (J) [!] SD Lupin III - Kinko Yaburi Daisakusen (J) [b1] SD Saint Seiya Paradise (J) [b1] SD Saint Seiya Paradise (J) [T+Spa1.0b_waseiyakusha] SD Saint Seiya Paradise (J) SD Sengokuden - Kunitori Monogatari (J) [!] SD Sengokuden 2 - Tenka Touitsu Hen (J) [!] SD Sengokuden 3 - Chijou Saikyou Hen (J) [!] Sea Battle (E) (M4) SeaQuest DSV (U) [S][!] SeaQuest DSV (U) [S][b1] SeaQuest DSV (U) [S][b2] SeaQuest DSV (U) [S][b3] SeaQuest DSV (U) [S][b4] SeaQuest DSV (U) [S][BF] Seaside Volley (J) Seastalker (PD) [C] Segmond First Demo (PD) Sei Hai Densetsu (J) [C][!] Sei Hai Densetsu (J) [C][f1] Seiken Densetsu (J) [b1] Seiken Densetsu (J) [b2] Seiken Densetsu (J) Selection - Erabareshi Mono (J) Selection I II (J) [S] Selection II (J) Seme COM Dungeon - Drururuaga (J) [C][!] Sengoku Ninja-kun - Ninja Taro (J) [b1] Sengoku Ninja-kun - Ninja Taro (J) [o1] Sengoku Ninja-kun - Ninja Taro (J) Senkai Ibonroku Juntei Taisen - TV Animation Senkaiden Houshin Engi Yori (J) [C][!] Senkai Ibonroku Juntei Taisen - TV Animation Senkaiden Houshin Engi Yori (J) [C][b1] Sensible Soccer (U) [b1] Sensible Soccer (U) [b2] Serpent (J) Serpent (U) Serpent Apocalypse V.6 (PD) [C] Sesame Street Sports (U) [C] Sgt. Rock - On The Front Line (U) [C][!] Sgt. Rock - On The Front Line (U) [C][t1] Shadow Warriors (E) [T+Ger0.99_Star-trans] Shadow Warriors (E) [T+Spa100%_Tanero] Shadow Warriors (E) Shadowgate Classic (E) (V1.0) (M5) [C][!] Shadowgate Classic (E) (V1.0) (M5) [C][b1] Shadowgate Classic (E) (V1.0) (M5) [C][b2] Shadowgate Classic (E) (V1.0) (M5) [C][h1C] Shadowgate Classic (E) (V1.1) (M5) [C][!] Shadowgate Return (J) [C][!] Shaman King Chou Senjiryakketsu - Funbari Hen (J) [C][!] Shaman King Chou Senjiryakketsu - Meramera Hen (J) [C][!] Shamus (U) [C][!] Shamus (U) [C][t1] Shanghai (J) [b1] Shanghai (J) Shanghai (U) [!] Shanghai Pocket (J) [C][!] Shanghai Pocket (J) [C][b1] Shanghai Pocket (J) [C][b2] Shanghai Pocket (J) [S] Shanghai Pocket (U) (V1.0) [C][!] Shanghai Pocket (U) (V1.1) [C][!] Shantae (U) [C][!] Shao-lin's Road (PD) [C] Shape by Sack (PD) [C] Shaq Fu (U) [S] SHARK MX (Unl) [C][!] Shaun Palmer's Pro Snowboarder (U) [C][!] Shawshank Redemption, The by Stephan King (Polish) (PD) [C] Shawu Story (Unl) [C][a1] Shawu Story (Unl) [C][a2] Shawu Story (Unl) [C] Shikakui Atama wo Maruku Suru (J) Shikakui Atama wo Maruku Suru - Joushiki no Shou (J) Shikakui Atama wo Maruku Suru - Nanmon no Shou (J) Shikakui Atama wo Maruku Suru - Rika Battle Hen (J) Shikakui Atama wo Maruku Suru - Sansu Battle (J) (V1.0) Shikakui Atama wo Maruku Suru - Sansu Battle (J) (V1.1) Shikakui Atama wo Maruku Suru - Shakai Battle (J) Shikinjou (J) [BF] Shikinjou (J) Shin Megami Tensei Devil Children - Aka no Shou (J) [C][!] Shin Megami Tensei Devil Children - Kuro no Shou (J) [C][!] Shin Megami Tensei Devil Children - Kuro no Shou (J) [C][T+Chi] Shin Megami Tensei Devil Children - Shiro no Shou (J) [C][!] Shin Megami Tensei Trading Card - Card Summoner (J) [C][!] Shin Nihon Pro Wrestling Tokon Sanjushi (J) Shinri Game 2, The - Daihan Hen (J) Shinri Game, The (J) Shinseiki Evangelion - Mahjong Hokan Keikaku (J) [C][!] Shippo de Bun! (J) [!] Shisenshou - Match-Mania (J) [b1] Shisenshou - Match-Mania (J) [b2] Shisenshou - Match-Mania (J) Shonen Ashibe - Yuuenchi Panic (J) Shoot Demo (PD) [C] Short Little Demo for Y2kode (PD) [C][a1] Short Little Demo for Y2kode (PD) [C] Shou Hyper Fish (J) [S] Shoubushi Densetsu Tetsuya - Shinjuku Tenun hen (J) [C][!] Shougi (J) Shougi 2 (J) [C][!] Shougi Saikyou (J) [S] Showdown in Neo Tokyo (PD) Shrek - Fairy Tale Freakdown (U) (M6) [C][!] Shrek - Fairy Tale Freakdown (U) (M6) [C][t1] Shutdown (PD) Shutokou Racing, The (J) [C][!] Shutokou Racing, The (J) [C][b1] Shutokou Racing, The (J) [C][t1] Shuyaku Sentai Irem Fighter (J) [b1] Shuyaku Sentai Irem Fighter (J) Side Pocket (U) [!] Side Pocket (U) [b1] Sierpinski Gasket by PurpleFish (PD) Sika Kokugo (J) SimBurgerKing Alpha 1 by Joshua Wise (PD) [C] SimBurgerKing Alpha 2 by Joshua Wise (PD) SimBurgerKing by Joshua Wise (Freedom GB2001) (PD) [C] SIMON Clone (PD) [C] Simple Dictionary V1.2 (PD) Simple Parallax Scroller (PD) Simpsons, The - Bart the Beanstalk (J) Simpsons, The - Bart the Beanstalk (U) [b1] Simpsons, The - Bart the Beanstalk (U) [b2] Simpsons, The - Bart the Beanstalk (U) Simpsons, The - Bart vs the Juggernauts (U) [!] Simpsons, The - Bart vs the Juggernauts (U) [b1] Simpsons, The - Escape from Camp Deadly (U) [!] Simpsons, The - Escape from Camp Deadly (U) [b1] Simpsons, The - Escape from Camp Deadly (U) [BF] Simpsons, The - Escape from Camp Deadly (U) [h1C] Simpsons, The - Escape from Camp Deadly (U) [T+GerFinal_Star-trans] Simpsons, The - Krusty's Funhouse (U) [b1] Simpsons, The - Krusty's Funhouse (U) [b2] Simpsons, The - Krusty's Funhouse (U) [b3] Simpsons, The - Krusty's Funhouse (U) [b4] Simpsons, The - Krusty's Funhouse (U) [h1C] Simpsons, The - Krusty's Funhouse (U) Simpsons, The - Night of the Living Treehouse of Horror (U) [C][!] Simpsons, The - Night of the Living Treehouse of Horror (U) [C][t1] Sinewave Using All Available Tiles by Darkfader (PD) [C] Skapiec by Moliere (PD) [C] Skate or Die - Bad 'N Rad (E) [!] Skate or Die - Bad 'N Rad (U) [b1] Skate or Die - Bad 'N Rad (U) Skate or Die - Tour de Thrash (U) [b1] Skate or Die - Tour de Thrash (U) Ski Style (PD) [C] Sklepy cynamonowe by Bruno Schulz (PD) [C] Skoardy (PD) [C] Sky Ace (Sachen 4-in-1 Vol. 7) (Unl) [!] Slideshow by Megaman_X (PD) Slime's Adventure (PD) [C] Slippy (PD) Sluby panienskie by Aleksander Fredro (PD) [C] Slugs (PD) [C][a1] Slugs (PD) [C] Small Soldiers (U) [S][!] Small Soldiers (U) [S][b1] Smooth Colour Fading Demo (PD) [C] Smurfs 2, The (E) (M4) Smurfs 3, The (E) (M4) [!] Smurfs 3, The (E) (M4) [b1] Smurfs Nightmare, The (E) (M4) [C][!] Smurfs Nightmare, The (E) (M4) [C][b1] Smurfs Nightmare, The (E) (M4) [C][t1] Smurfs Nightmare, The (E) (M4) [C][t2] Smurfs, The (UE) (V1.0) (M4) [!] Smurfs, The (UE) (V1.0) (M4) [h1] Smurfs, The (UE) (V1.0) (M4) [h2] Smurfs, The (UE) (V1.0) (M4) [h3] Smurfs, The (UE) (V1.1) (M3) [S][!] Smurfs, The (UE) (V1.1) (M3) [S][o1] SMYGB Demo (PD) [C] Snake (PD) [C] SnakEat (PD) [C] Snaps (PD) [C] Sneaky Snakes (PD) [C] Sneaky Snakes (UE) [!] Sneaky Snakes (UE) [b1] Snoopy - Magic Show (J) Snoopy - Magic Show (U) [!] Snoopy - Magic Show (U) [b1] Snoopy - Magic Show (U) [t1] Snoopy no Hajimete no Otsukai (J) [S][!] Snoopy Puzzle (PD) [C] Snoopy Tennis (J) [C][!] Snoopy Tennis (U) (M3) [C][!] Snow Bros Jr. (J) [b1] Snow Bros Jr. (J) Snow Bros Jr. (U) [!] Snow Bros Jr. (U) [b1] Snow Bros Jr. (U) [b2] Snow Bros Jr. (U) [b3] Snow Bros Jr. (U) [t1] Snow White and the Seven Dwarfs (E) (M9) [C][!] Snowboard Champion (J) [C][!] Snowboard Champion (J) [C][b1] Snowboard Champion (J) [C][T+Eng0.70_Magecraft] Snowboard Champion (J) [C][T-Eng_MageCraft] SnowCross (E) (M6) [C][!] Soccer (E) (M3) [S][!] Soccer (E) (M3) [S][b1] Soccer (J) Soccer Boy (J) Soccer Manager (E) (M4) [C][!] Soccer Mania (JU) [!] SolarStriker (JU) [!] SolarStriker (JU) [t1] Soldam (J) Solitaire (J) Solitaire Funpak (U) [!] Solomon (J) [C][!] Solomon's Club (J) Solomon's Club (UE) [!] Solomon's Club (UE) [a1] Song Pro Demo (PD) Sonic 3D Blast 5 (Unl) Sonic 6 (Unl) [b1] Sonic 6 (Unl) [T+Spa100%_Tanero] Sonic 6 (Unl) Sonic 7 (Unl) [C][b1] Sonic 7 (Unl) [C] Sonic the Hedgehog Demo (PD) [C] Sony IR Keyboard (PD) [C] Soreike! Anpanman - 5tsu no Tou no Ousama (J) [C][!] Soreike! Anpanman - Fushigi na Nikoniko Album (J) [C][!] Soreyuke! Speedy Gonzales (J) Soreyuke!! Kid (J) SOS by R-Lab (PD) [C] Soukoban (J) Soukoban 2 (J) Soukoban Densetsu - Hikari to Yami no Kuni (J) [C][!] Soul Getter - Houkago Bouken RPG (J) [C][!] Soul Getter - Houkago Bouken RPG (J) [C][T+Eng0.10_Magecraft] Soul Getter - Houkago Bouken RPG (J) [C][T-Eng0.1_Magecraft] Sound Demo (PD) [a1] Sound Demo (PD) [a2] Sound Demo (PD) [b1] Sound Demo (PD) Sound Output Demo 1 (PD) South Park Xtreme Demo (PD) [C][a1] South Park Xtreme Demo (PD) [C] South Park Xtreme Demo (PD) [M] South Pong (PD) [a1][b1] South Pong (PD) [b1] South Pong (PD) [o1] South Pong (PD) Southern Dreams - Slideshow (PD) [C] Southern Dreams - SMART Demo (PD) [C] SPA Scroller (PD) [C] Space (PD) [C] Space Debris (PD) [C] Space Faces (PD) [C] Space Fighter V1.01 (PD) [C] Space Invaders (J) Space Invaders (PD) Space Invaders (U) [C][!] Space Invaders (U) [C][h1] Space Invaders (U) [C][h2] Space Invaders (U) [C][t1][h1] Space Invaders (U) [C][t1] Space Invaders (U) [C][t2] Space Invaders (U) [S][!] Space Invaders (U) [S][a1] Space Invaders (U) [S][b1] Space Invaders (U) [S][b2] Space Invaders (U) [S][b3] Space Invaders X (J) [C][!] Space Invaders X (J) [C][t1] Space Invasion (E) [C][b1] Space Invasion (E) [C][hIR] Space Invasion (E) [C][hI] Space Invasion (E) [C][t1] Space Invasion (PD) [C] Space Marauder (U) [C][!] Space Mission DX (PD) [C] Space Waste Demo by Octarine (PD) [C] Space-Net - Cosmo Blue (J) [C][!] Space-Net - Cosmo Red (J) [C][!] Spacestation Silicon Valley (E) (M7) [C][!] Spacestation Silicon Valley (E) (M7) [C][t1] Spanky's Quest (E) Spanky's Quest (U) [!] Spanky's Quest (U) [b1] Spanky's Quest (U) [b2] Spartan X (J) [b1] Spartan X (J) [b2] Spartan X (J) [BF] Spartan X (J) Spawn (U) [C][!] Spawn (U) [C][BF] Spawn (U) [C][t1][BF] Spawn (U) [C][t1] Speed Finger V0.01 (PD) Speed Finger V0.02 (PD) Speedball 2 - Brutal Deluxe (UE) [!] Speedball 2 - Brutal Deluxe (UE) [b1] Speedball 2 - Brutal Deluxe (UE) [b2] Speedy Gonzales (U) [!] Speedy Gonzales (U) [b1] Speedy Gonzales (U) [b2] Speedy Gonzales (U) [h1] Speedy Gonzales (U) [h2] Speedy Gonzales (U) [t1] Speedy Gonzales - Aztec Adventure (U) [C][!] Speedy Gonzales - Aztec Adventure (U) [C][t1] Spellbreaker (PD) [a1] Spellbreaker (PD) [a2] Spellbreaker (PD) [a3] Spellbreaker (PD) [C] Spellbreaker (PD) Spider-Man (F) [C][!] Spider-Man (J) [C][!] Spider-Man (U) [C][!] Spider-Man (U) [C][t1] Spider-Man 2 - The Sinister Six (U) [C][!] Spider-Man and the X-Men in Arcade's Revenge (U) [BF] Spider-Man and the X-Men in Arcade's Revenge (U) Spiritual Warfare (Unl) [b1] Spirou (U) (M4) [S][a1] Spirou (U) (M4) [S][b1] Spirou (U) (M4) [S][b2] Spirou (U) (M4) [S] Spirou - La Panque Mecanique (E) (M7) [C][!] Spirou - La Panque Mecanique (E) (M7) [C][b1] Spirou - La Panque Mecanique (E) (M7) [C][t1] Splash 360 Demo (PD) [C] Splitz (J) Splitz (UE) [!] Splitz (UE) [b1] Spong (PD) [C] SpongeBob SquarePants - Legend of the Lost Spatula (U) [C][!] Sports Collection (J) Sports Illustrated - Football Baseball (U) [!] Sports Illustrated for Kids - The Ultimate Triple Dare! (U) [!] Sports Illustrated for Kids - The Ultimate Triple Dare! (U) [b1] Spot (J) Spot (U) [!] Spot (U) [b1] Spot - The Cool Adventure (J) Spot - The Cool Adventure (U) Spr4col (PD) [C] Sprite Demo (PD) [a1] Sprite Demo (PD) [h1] Sprite Demo (PD) [h2] Sprite Demo (PD) Sprite Demo 2 (PD) [b1] Sprite Demo 2 (PD) Sprite1 Demo (PD) Sprite2 Demo (PD) Sprite3 Demo (PD) Sprite4 Demo (PD) Sprite4a Demo (PD) Spud's Adventure (U) Spy vs. Spy (E) (M7) [C][!] Spy vs. Spy (E) (M7) [C][b1] Spy vs. Spy (J) [C][!] Spy vs. Spy (J) [C][f1] Spy vs. Spy (U) [C][!] Spy vs. Spy (U) [C][b1][t1] Spy vs. Spy (U) [C][b1] Spy vs. Spy (U) [C][t1] Spy vs. Spy - Operation Boobytrap (U) (1992) [!] Spy vs. Spy - Operation Boobytrap (U) (1996) SQRXZ Color V0.95 (PD) [C] SQRXZ Color V0.96 (PD) [C] SQRXZ V1.1 (PD) Square Deal - The Game of Two Dimensional Poker (U) [!] Square Deal - The Game of Two Dimensional Poker (U) [b1] SS Spinner - Yo for it (J) [S] Stadin Brankkari by ph0x (PD) [C] Stadin Brankkari Party Version by ph0x (PD) [C] Stalker by Jorge Persiva (PD) [C] Star Field Demo (PD) [C] Star Fighter by Jonathan Waugh (PD) [C] Star Hawk (U) [!] Star Hawk (U) [b1] Star Hawk (U) [b2] Star Hawk (U) [b3] Star Heritage Battery Version (PD) [C] Star Heritage Demo Version by R-Lab (PD) [C] Star Heritage Password Version (PD) [C] Star Ocean - Blue Sphere (J) [C][!] Star Ocean - Blue Sphere (J) [C][T+Spa] Star Sweep (J) [S][b1] Star Sweep (J) [S][b2] Star Sweep (J) [S] Star Tex (PD) [C][a1] Star Tex (PD) [C] Star Trek - 25th Anniversary (U) [!] Star Trek - 25th Anniversary (U) [b1] Star Trek - Generations - Beyond the Nexus (E) [S][b1] Star Trek - Generations - Beyond the Nexus (E) [S][b2] Star Trek - Generations - Beyond the Nexus (E) [S] Star Trek - Generations - Beyond the Nexus (U) [S][!] Star Trek - The Next Generation (U) [!] Star Trek - The Next Generation (U) [b1] Star Wars (E) Star Wars (U) (V1.0) [b1] Star Wars (U) (V1.0) [b2] Star Wars (U) (V1.0) [b3] Star Wars (U) (V1.0) [BF] Star Wars (U) (V1.0) Star Wars (U) (V1.1) [!] Star Wars - Super Return of the Jedi (U) [S][!] Star Wars - Super Return of the Jedi (U) [S][b1] Star Wars - Super Return of the Jedi (U) [S][b2] Star Wars - Super Return of the Jedi (U) [S][b3] Star Wars - Super Return of the Jedi (U) [S][b4] Star Wars - Super Return of the Jedi (U) [S][BF] Star Wars - Super Return of the Jedi (U) [S][h1C] Star Wars - The Empire Strikes Back (E) [!] Star Wars - The Empire Strikes Back (U) [b1] Star Wars - The Empire Strikes Back (U) [b2] Star Wars - The Empire Strikes Back (U) [BF] Star Wars - The Empire Strikes Back (U) [o1] Star Wars - The Empire Strikes Back (U) Star Wars Episode I - Obi-Wan's Adventures (E) (M5) [C][!] Star Wars Episode I - Obi-Wan's Adventures (E) (M5) [C][b1] Star Wars Episode I - Obi-Wan's Adventures (U) [C][!] Star Wars Episode I - Obi-Wan's Adventures (U) [C][t1] Star Wars Episode I - Racer (UE) [C][!] Star Wars Episode I - Racer (UE) [C][t1] Stara basn by Jozef Ignacy Kraszewski (PD) [C] Starcross (PD) [a1] Starcross (PD) [C] Starcross (PD) Starfight (PD) [C] StarFisher (PD) Stargate (U) [!] Stargate (U) [b1] Stationfall (PD) [C] Stereo Demo (PD) [C][a1] Stereo Demo (PD) [C] Stoic Software's Tribute to the United States (PD) [C] Stomp the Slime (PD) [C] Stop That Roach! (U) Stopwatch (PD) [C] Storm Saga - The Winnowing V1.0 by Plasmaworks (PD) [C] Stranded Kids (E) (M3) [C][!] Street Fighter Alpha - Warriors' Dreams (E) [C][!] Street Fighter Alpha - Warriors' Dreams (E) [C][b1] Street Fighter Alpha - Warriors' Dreams (E) [C][h1] Street Fighter Alpha - Warriors' Dreams (E) [C][t1] Street Fighter Alpha - Warriors' Dreams (J) [C][!] Street Fighter Alpha - Warriors' Dreams (U) [C][!] Street Fighter II (J) [S][b1] Street Fighter II (J) [S] Street Fighter II (UE) [S][!] Street Racer (J) Street Racer (U) [!] Street Rider (Sachen 4-in-1 Vol. 1) (Unl) [!] Stripped by Triad (PD) [C] Stuart Little - The Journey Home (U) [C][!] Studium w Szkarlacie by Arthur Conan Doyle (PD) [C] Study Boy Kokugo 2 (J) Subport Logo by Titney (PD) [C] Suddshwer V2.3 (PD) [C] Suddshwer V2.3b (PD) [C] Sumo Fighter (U) [!] Sumou Fighter - Toukaidou Basho (J) [!] SunTsu7's Monty Python Greeting (PD) Super 139-in-1 (Unl) [b1] Super 139-in-1 (Unl) [b2] Super 14-in-1 (Unl) [p1][b1] Super 51-in-1 (Unl) [b1] Super 51-in-1 (Unl) [b2] Super 8-in-1 (Unl) [b1] Super Ayanami Discovery SlideShow (Unl) Super Ayanami Discovery SlideShow V1.1 (Unl) Super B-Daman - Fighting Phoenix (J) [S][h1] (HUC-1 chip) Super B-Daman - Fighting Phoenix (J) [S] Super Battletank (E) Super Bikkuriman - Densetsu no Sekiban (J) [b1] Super Bikkuriman - Densetsu no Sekiban (J) [BF] Super Bikkuriman - Densetsu no Sekiban (J) Super Black Bass (U) [!] Super Black Bass - Real Fight (J) [C][!] Super Black Bass - Real Fight (J) [C][b1] Super Black Bass Pocket (J) [S] Super Black Bass Pocket 2 (J) [S][b1] Super Black Bass Pocket 2 (J) [S] Super Black Bass Pocket 3 (J) [C][!] Super Bombliss (J) [S][b1] Super Bombliss (J) [S][o1] Super Bombliss (J) [S][o2] Super Bombliss (J) [S] Super Bombliss DX (J) [C][!] Super Breakout! (E) (M6) [C][!] Super Breakout! (U) [C][!] Super Breakout! (U) [C][b1] Super Breakout! (U) [C][b2] Super Breakout! (U) [C][t1] Super Chinese Fighter EX (J) [C][!] Super Chinese Fighter EX (J) [C][h1C] Super Chinese Fighter EX (J) [C][T+Eng0.99_SGST] Super Chinese Fighter EX (J) [C][T+Eng_Opus] Super Chinese Fighter GB (J) [S][b1] Super Chinese Fighter GB (J) [S][BF] Super Chinese Fighter GB (J) [S] Super Chinese Land (J) Super Chinese Land 1.2.3.Dash (J) [S] Super Chinese Land 2 (J) Super Chinese Land 3 (J) [S][b1] Super Chinese Land 3 (J) [S] Super Chinese Land 3 Dash (J) [S][h1] Super Chinese Land 3 Dash (J) [S] Super Doll Licca-chan - Kisekae Daisakusen (J) [C][!] Super Donkey Kong GB (J) [S] Super Fighters '99 (Unl) [C][b1] Super Hunchback (E) Super Hunchback (J) [!] Super Hunchback (J) [b1] Super Hunchback (U) [b1] Super Hunchback (U) Super James Pond (U) [b1] Super James Pond (U) [b2] Super Kick Off (U) [b1] Super Kick Off (U) [b2] Super Kick Off (U) [b3] Super Kick Off (U) Super Mario 4 (Unl) [p1][h1C][o1] Super Mario 4 (Unl) [p1][h1C] Super Mario 4 (Unl) [p1][h2C] Super Mario 4 (Unl) [p1][h3C] Super Mario 4 (Unl) [p1] Super Mario Bros. Deluxe (J) [C][!] Super Mario Bros. Deluxe (U) (V1.0) [C][!] Super Mario Bros. Deluxe (U) (V1.0) [C][b1] Super Mario Bros. Deluxe (U) (V1.0) [C][f1] Super Mario Bros. Deluxe (U) (V1.0) [C][h1] (Mono) Super Mario Bros. Deluxe (U) (V1.0) [C][T+Spa1.00_PalKnight] Super Mario Bros. Deluxe (U) (V1.0) [C][T-Spa0.99_PalKnight] Super Mario Bros. Deluxe (U) (V1.0) [C][t1] Super Mario Bros. Deluxe (U) (V1.0) [C][t2] Super Mario Bros. Deluxe (U) (V1.1) [C][!] Super Mario Bros. Deluxe (U) (V1.1) [C][b1] Super Mario Bros. Deluxe (U) (V1.1) [C][T+Spa1.00_PalKnight] Super Mario Bros. Deluxe (U) (V1.1) [C][T-Spa0.99_PalKnight] Super Mario Land (JUE) (V1.0) [!] Super Mario Land (JUE) (V1.0) [b1] Super Mario Land (JUE) (V1.0) [b2] Super Mario Land (JUE) (V1.0) [T+Ita1.0_Zombikiller] Super Mario Land (JUE) (V1.0) [T+Spa1.00_PalKnight] Super Mario Land (JUE) (V1.1) [!] Super Mario Land (JUE) (V1.1) [h1C] Super Mario Land (JUE) (V1.1) [T+Ita1.0_Zombikiller] Super Mario Land (JUE) (V1.1) [T+Por] Super Mario Land (JUE) (V1.1) [T+Spa1.00_Paladin Knights] Super Mario Land (JUE) (V1.1) [t1] Super Mario Land (JUE) (V1.1) [t2] Super Mario Land 2 - 6 Golden Coins (UE) (V1.0) [!] Super Mario Land 2 - 6 Golden Coins (UE) (V1.0) [b1] Super Mario Land 2 - 6 Golden Coins (UE) (V1.0) [BF] Super Mario Land 2 - 6 Golden Coins (UE) (V1.0) [h1C] Super Mario Land 2 - 6 Golden Coins (UE) (V1.0) [T+Gre] Super Mario Land 2 - 6 Golden Coins (UE) (V1.0) [T+Spa1.00_PalKnights] Super Mario Land 2 - 6 Golden Coins (UE) (V1.2) [!] Super Mario Land 2 - 6 Golden Coins (UE) (V1.2) [T+Spa1.00_PalKnights] Super Mario Land 2 - 6tsu no Kinka (J) (V1.0) Super Mario Land 2 - 6tsu no Kinka (J) (V1.2) [b1] Super Mario Land 2 - 6tsu no Kinka (J) (V1.2) Super Mario Land 4 (J) [!] Super Mario Quest V0.2 by PR (Final Fantasy Hack) Super Mario Quest V0.5 by PR (Final Fantasy Hack) Super Mario Special 3 (Unl) [C][b1] Super Mario Special 3 (Unl) [C][b2] Super Minna no Konchu Daizukan II (Unl) Super Momotarou Dentetsu (J) [b1] Super Momotarou Dentetsu (J) [b2] Super Momotarou Dentetsu (J) Super Momotarou Dentetsu II (J) Super Ninja - a TornPocket Production WIP (PD) [C] Super Off Road (U) [!] Super Off Road (U) [b1] Super Off Road (U) [BF] Super Pachinko Taisen (J) [S][b1] Super Pachinko Taisen (J) [S] Super Pika Land V0.5 by PR (Super Mario Land Hack) Super Pika Land V1.0 by PR (Super Mario Land Hack) Super Pika Land V1.5 by PR (Super Mario Land Hack) Super Pika Land V2.0 by PR (Super Mario Land Hack) Super Pika Land Vx.x by PR (Super Mario Land Hack) [a1] Super Pika Land Vx.x by PR (Super Mario Land Hack) [a2] Super Pika Land Vx.x by PR (Super Mario Land Hack) Super R.C. Pro-Am (UE) [!] Super R.C. Pro-Am (UE) [b1] Super Real Fishing (J) [C][!] Super Robot Pinball (J) [C][!] Super Robot Pinball (J) [C][t1] Super Robot Taisen (J) [o1] Super Robot Taisen (J) [o2] Super Robot Taisen (J) [T+Chi] Super Robot Taisen (J) [T+Eng0.7] Super Robot Taisen (J) Super Robot Taisen - Link Battler (J) [C][!] Super Robot Taisen - Link Battler (J) [C][b1] Super Robot Taisen - Link Battler (J) [C][h1] Super Robot Taisen - Link Battler (J) [C][T+Chi][a1] Super Robot Taisen - Link Battler (J) [C][T+Chi] Super Robot Taisen Final Vol.1 (Unl) [C][p1] Super Scrabble (U) [!] Super Snakey (J) [S] Super Street Basketball (J) Super Street Basketball 2 (J) [S][b1] Super Street Basketball 2 (J) [S] Supercross Freestyle (E) (M5) [C][!] Supercross Freestyle (E) (M5) [C][hI] Superman (U) [S][!] Supreme Snowboarding (E) (M3) [C][!] Survival Kids (U) [C][!] Survival Kids (U) [C][b1] Survival Kids (U) [C][p1][T+Chi][!] Survival Kids (U) [C][t1] Survival Kids - Kotou no Boukensha (J) [C][!] Survival Kids - Kotou no Boukensha (J) [C][f1] Survival Kids - Kotou no Boukensha (J) [C][f2] Survival Kids 2 - Dasshutsu!! Futago Shima! (J) [C][!] Suspect (PD) [a1] Suspect (PD) [C] Suspect (PD) Suspended (PD) [a1] Suspended (PD) [C] Suspended (PD) Suzuki Alstare Extreme Racing (E) (M6) [C][!] Swamp Thing (U) [!] Swamp Thing (U) [b1] Swamp Thing (U) [b2] Swedish Flag Demo (PD) Sweet Ange (J) [C][!] Sweet Ange (J) [C][b1] Swietoszek by Moliere (Polish) (PD) [C] Swing (G) [C][!] Swing (G) [C][t1] SWIV (E) (M5) [C][!] SWIV (E) (M5) [C][t1] Sword (Alpha) (PD) [C] Sword of Hope II, The (U) [!] Sword of Hope, The (G) Sword of Hope, The (Sw) [!] Sword of Hope, The (U) [!] Sword of Hope, The (U) [o1] Sword of Hope, The (U) [o2] Sword of Su Zi, The - Trial Version (Unl) (V1.1) SWorld (PD) [C] Sylvania Family - Otogi no Kuni no Pendant (J) [C][!] Sylvania Family 2 - Irozuku Mori no Fantasy (J) [C][!] Sylvania Melody - Mori no Nakama to Odori Mashi! (J) [C][!] Sylvester and Tweety (E) (M6) [C][!] Sylvester and Tweety (E) (M6) [C][b1] Sylvester and Tweety (E) (M6) [C][b2] Sylvester and Tweety (U) (M3) [C][!] Sylvester and Tweety (U) (M3) [C][b1] Sylvester and Tweety (U) (M3) [C][b2] Sylvester and Tweety (U) (M3) [C][b3] T2 - The Arcade Game (J) T2 - The Arcade Game (U) [!] T2 - The Arcade Game (U) [b1] T2 - The Arcade Game (U) [b2] T2 - The Arcade Game (U) [b3] T2 Demo by Megaman_X (PD) Taachiyan (J) [S] Tabaluga (G) [C][!] Tabaluga (G) [C][b1] Taikyoku Renju (J) Tail Gator (U) [!] Taisen Tsume Shougi (J) [C][!] Taiyou no Tenshi Marlowe - Ohanabatake ha Dai-Panic (J) Taiyou no Yuusha - Firebird GB (J) [b1][h1C] Taiyou no Yuusha - Firebird GB (J) [b1] Taiyou no Yuusha - Firebird GB (J) Takahashi Meijin no Bouken Shima II (J) Takahashi Meijin no Bouken Shima III (J) Tale Spin (E) Tale Spin (U) Tales of Phantasia - Narikiri Dungeon (J) [C][!] Tam Bitmap Demo (PD) Tamagotchi (F) [S] Tamagotchi (J) [S][b1] Tamagotchi (J) [S] Tamagotchi (UE) [S][!] Tamagotchi (UE) [S][BF] Tamagotchi 2 (J) [S][b1] Tamagotchi 2 (J) [S][BF] Tamagotchi 2 (J) [S] Tamagotchi 3 (J) [S][b1] Tamagotchi 3 (J) [S] Tanimura Hitoshi Ryuu Pachinko Kouryaku Daisakusen - Don Quijote ga Iku (J) [C][!] Tank Rush (PD) [C] Tanks! (PD) [C] Taruru-To 2 (J) [BF] Taruru-To 2 (J) Tarzan (U) [!] Tasmania Story (J) [b1] Tasmania Story (J) Tasmania Story (U) [!] Tatsujin Techou (J) Taxi 2 (F) [C][!] Taxi 2 (F) [C][t1] Taz-Mania (E) Taz-Mania (U) [b1] Taz-Mania (U) Taz-Mania 2 (U) [!] Tazmanian Devil - Munching Madness (E) (M5) [C][!] Tazmanian Devil - Munching Madness (E) (M5) [C][t1] Tazmanian Devil - Munching Madness (U) (M5) [C][!] Tazmanian Devil - Munching Madness (U) (M5) [C][b1] Tazmanian Devil - Munching Madness (U) (M5) [C][t1] TDL Fantasy Tour (J) [S] Tech Deck Skateboarding (U) [C][!] Tecmo Bowl (J) Tecmo Bowl (U) [b1] Tecmo Bowl (U) [b2] Tecmo Bowl (U) Teenage Mutant Hero Turtles - Back from the Sewers (E) [!] Teenage Mutant Hero Turtles - Back from the Sewers (E) [b1] Teenage Mutant Hero Turtles - Fall of the Foot Clan (E) Teenage Mutant Hero Turtles III - Radical Rescue (E) [!] Teenage Mutant Hero Turtles III - Radical Rescue (E) [b1] Teenage Mutant Ninja Turtles (J) [!] Teenage Mutant Ninja Turtles (J) [b1] Teenage Mutant Ninja Turtles - Back From the Sewers (U) [!] Teenage Mutant Ninja Turtles - Back From the Sewers (U) [b1] Teenage Mutant Ninja Turtles - Back From the Sewers (U) [b2] Teenage Mutant Ninja Turtles - Fall of the Foot Clan (U) [!] Teenage Mutant Ninja Turtles - Fall of the Foot Clan (U) [b1] Teenage Mutant Ninja Turtles - Fall of the Foot Clan (U) [b2] Teenage Mutant Ninja Turtles 2 (J) [b1] Teenage Mutant Ninja Turtles 2 (J) Teenage Mutant Ninja Turtles 3 - Turtles Kiki Ippatsu (J) [t1] Teenage Mutant Ninja Turtles 3 - Turtles Kiki Ippatsu (J) Teenage Mutant Ninja Turtles III - Radical Rescue (U) [b1] Teenage Mutant Ninja Turtles III - Radical Rescue (U) Tekichuu Rush (J) Tekkyu Fight! - The Great Battle Gaiden (J) Tenchi Wo Kurau (J) [p1][T+Chi][!] Tenchi Wo Kurau (J) [p1][T+Chi][b1] Tenchi Wo Kurau (J) Tenjin Kaisen - Mercenary Force (J) [b1] Tenjin Kaisen - Mercenary Force (J) [b2] Tenjin Kaisen - Mercenary Force (J) Tenjin Kaisen 2 (J) Tennis (JUE) [!] Tennis (JUE) [o1] Tennis (JUE) [T+Spa100%_Ereza] Tensai Bakabon (J) [b1] Tensai Bakabon (J) Terminator 2 - Judgment Day (UE) [!] Terminator 2 - Judgment Day (UE) [b1] Terminator 2 - Judgment Day (UE) [b2] Terminator 2 - Judgment Day (UE) [b3] Terminator 2 - Judgment Day (UE) [b4] Terminator 2 Video (PD) Tertrablox 2000 (PD) [C] Tesserae (U) [!] Test Drive 2001 (U) [C][!] Test Drive 6 (E) (M5) [C][!] Test Drive 6 (U) [C][!] Test Drive 6 (U) [C][b1] Test Drive Cycles (U) [C][!] Test Drive Le Mans (U) (M3) [C][!] Test Drive Off-Road 3 (U) [C][!] Testrand (side-side) (PD) Testrand (up-down) (PD) Tetris (JUE) (V1.0) [!] Tetris (JUE) (V1.1) [!] Tetris (JUE) (V1.1) [T+Por] Tetris (PD) [C] Tetris 2 (U) [!] Tetris 2 (UE) [S][!] Tetris Adventure - Susume Mickey to Nakamatachi (J) [C][!] Tetris Attack (U) (V1.0) [M][!] Tetris Attack (U) (V1.1) [S][b1] Tetris Attack (U) (V1.1) [S] Tetris Blast (U) [S][!] Tetris Blast (U) [S][b1] Tetris DX (JU) [C][!] Tetris DX (JU) [C][b1] Tetris DX (JU) [C][T+Spa100%_PalKnights] Tetris Flash (J) [S][b1] Tetris Flash (J) [S][b2] Tetris Flash (J) [S] Tetris Plus (J) [S] Tetris Plus (U) [S][!] Tetris Plus (U) [S][b1] Tetris Plus (U) [S][BF] Theatre of Cruelty by Terry Pratchett V1.6 (PD) [C] They Came from Outer Space (PD) [S][t1] They Came from Outer Space (PD) [S] Three Lions (U) (M7) [C][!] Thrust DX (PD) [C] Thrust V13-02-2000 (PD) [C] Thunder Blast Man (J) [C][!] Thunder Blast Man (J) [C][t1] Thunderbirds (E) [C][!] Thunderbirds (J) Tic-Tac-Toe Demo by Johnny13 (PD) [C] Tiger Woods PGA Tour 2000 (U) [C][!] Tiger Woods PGA Tour 2000 (U) [C][b1] Tiler by Peter Gordon (PD) Tiles by Johnny13 (PD) [C] Time Machine, The V1.4 (PD) [C][a1] Time Machine, The V1.4 (PD) [C] Tintin in Tibet (E) (M7) [C][!] Tintin in Tibet (E) (M7) [C][T+Pol_aRPi] Tintin in Tibet (U) (M4) [S][b1] Tintin in Tibet (U) (M4) [S] Tiny One Gameboy (J) (V1.1) Tiny One Gameboy Special Use - 5-3 Bright Season (J) (V1.1) Tiny Toon Advantures - Dizzy's Candy Quest (E) (M6) [C][!] Tiny Toon Adventures - Babs' Big Break (E) [!] Tiny Toon Adventures - Babs' Big Break (J) Tiny Toon Adventures - Buster Saves the Day (E) (M5) [C][!] Tiny Toon Adventures - Buster Saves the Day (E) (M5) [C][T+Rus] Tiny Toon Adventures - Buster Saves the Day (U) [C][!] Tiny Toon Adventures - Buster Saves the Day (U) [C][T+Rus] Tiny Toon Adventures - Wacky Sports (U) [!] Tiny Toon Adventures - Wacky Sports (U) [a1] Tiny Toon Adventures 2 (J) Tiny Toon Adventures 2 - Montana's Movie Madness (U) [!] Tiny Toon Adventures 2 - Montana's Movie Madness (U) [b1] Tiny Toon Adventures 2 - Montana's Movie Madness (U) [b2] Tiny Toon Adventures 3 (J) Tip Off (UE) [!] Titantic 2000 Demo (PD) [C] Titi - Le Tour du Monde en 80 Chats (F) [C][!] Titney High Colour Demo (PD) [C][b1] Titney High Colour Demo (PD) [C] Titus the Fox (E) [C][!] Titus the Fox (E) [C][t1] Titus the Fox (U) [b1] Titus the Fox (U) [b2] Titus the Fox (U) [b3] Titus the Fox (U) [C][!] Titus the Fox (U) TNN Outdoors Fishing Champ (U) [C][!] TNN Outdoors Fishing Champ (U) [C][b1] To-Heart Columns (J) To-Heart Slideshow Green (PD) To-Heart Slideshow Red (PD) TOCA Touring Car Championship (U) [C][!] Tochi (PD) [C] Toki Tori (U) (M5) [C][!] Tokimeki Memorial Pocket - Culture Hen - Komorebi no Melody (J) [C][!] Tokimeki Memorial Pocket - Sport Hen - Koutei no Photograph (J) [C][!] Tokimeki Memorial Pocket - Sport Hen - Koutei no Photograph (J) [C][b1] Tokio Senki (J) Tokoro Jr. (J) [S][!] Tokoro San no Setagaya Country Club (J) [C][!] Tom and Jerry (J) Tom and Jerry (U) [C][!] Tom and Jerry (U) [C][t1] Tom and Jerry (U) [o1] Tom and Jerry (U) Tom and Jerry - Frantic Antics (U) Tom and Jerry - Mouse Hunt (E) (M5) [C][!] Tom and Jerry - Mouse Hunt (E) (M5) [C][b1][t1] Tom and Jerry - Mouse Hunt (E) (M5) [C][hI] Tom and Jerry - Mouse Hunt (E) (M5) [C][t1] Tom and Jerry - Mouse Hunt (U) [C][!] Tom and Jerry in Mouse Attacks! (E) (M7) [C][!] Tom and Jerry in Mouse Attacks! (E) (M7) [C][t1] Tom and Jerry in Mouse Attacks! (U) [C][!] Tom and Jerry Part 2 (J) [b1] Tom and Jerry Part 2 (J) Tom Clancy's Rainbow Six (U) (M3) [C][!] Tom Clancy's Rainbow Six (U) (M3) [C][b1] Tomb Raider (UE) (M5) (Beta) [C][!] Tomb Raider (UE) (M5) (Beta) [C][t1] Tomb Raider (UE) (M5) (Beta) [C][t2] Tomb Raider (UE) (M5) [C][!] Tomb Raider (UE) (M5) [C][b1] Tomb Raider (Unl) [C][!] Tomb Raider - Curse of the Sword (U) [C][!] Tomb Raider 2 (Unl) [C][!] Tonic Trouble (E) (M6) [C][!] Tonic Trouble (E) (M6) [C][t1] Tonka Construction Site (U) [C] Tonka Raceway (E) [C][!] Tonka Raceway (E) [C][t1] Tonka Raceway (U) [C][!] Tonka Raceway (U) [C][b1] Tonka Raceway (U) [C][t1] Tony Hawk's Pro Skater (U) [C][!] Tony Hawk's Pro Skater 2 (U) [C][!] Tony Hawk's Pro Skater 3 (U) [C][!] Toobin' (U) [C][!] Toobin' (U) [C][t1] Toonsylvania (E) (M6) [C][!] Toonsylvania (U) [C][!] Tootuff (E) (M6) [C][!] Top Gear Pocket (J) [C][!] Top Gear Pocket (U) [C][!] Top Gear Pocket (U) [C][b1] Top Gear Pocket (U) [C][t1] Top Gear Pocket 2 (J) [C][!] Top Gear Pocket 2 (J) [C][t1] Top Gear Pocket 2 (U) [C][!] Top Gear Pocket 2 (U) [C][t1] Top Gear Rally (E) [C][!] Top Gear Rally (E) [C][BF] Top Gear Rally 2 (E) [C][!] Top Gear Rally 2 (E) [C][T+Pol_aRPi] Top Gun - Fire Storm (U) (M6) [C][!] Top Gun - Guts Glory (U) [!] Top Gun - Guts Glory (U) [b1] Top Ranking Tennis (U) [!] Top Ranking Tennis (U) [b1] Top Ranking Tennis (U) [b2] Top Ranking Tennis (U) [b3] Top Shelf Challenge (PD) [C] Top50s Hyper V-Ball Translation GoodBye (PD) [C] Torpedo Range (J) [o1] Torpedo Range (J) [o2] Torpedo Range (J) Torpedo Range (UE) [!] Total Carnage (UE) [!] Total Carnage (UE) [b1] Total Carnage (UE) [b2] Total Soccer 2000 (E) (M6) [C][!] Totsugeki Valations (J) Totsugeki! Papparatai (J) [C][!] Totsugeki! Ponkotsu Tank (J) Tottemo! Luckyman (J) [S] Tottoko Hamutarou - Tomodachi Daisakusen Dechu (J) [C][!] Tottoko Hamutarou 2 - Hamu-chan Zu Daishuugou Dechu (J) [C][!] Touch Boy System ROM (Unl) [C] Tower of Druaga, The (J) Towers - Lord Baniff's Deceit (U) [C][!] Toxic Crusaders (U) [b1] Toxic Crusaders (U) [b2] Toxic Crusaders (U) Toy Story (U) (V1.0) [S][!] Toy Story (U) (V1.0) [S][b1] Toy Story (U) (V1.1) [S] Toy Story 2 (U) [C][!] Toy Story 2 (U) [C][b1] Toy Story Racer (E) (M3) [C][!] Toy Story Racer (U) [C][!] Toytoy by Tomasz Slanina (PD) [C] Track Field (U) Track Meet (J) Track Meet (U) [b1] Track Meet (U) [b2] Track Meet (U) Trade Battle Card Hero (J) [C][!] Trap Turn (Sachen) [!] Trappers Tengoku - Spy vs Spy (J) [b1] Trappers Tengoku - Spy vs Spy (J) [T+Spa100%_Chilisis] Trappers Tengoku - Spy vs Spy (J) Trax (U) [!] Trax (U) [b1] Trax (U) [b2] Trick Boarder (U) [C][!] Trickboarder GP (J) [C][!] Tricolore (PD) [C] Trid Ball (PD) [C] Trip World (J) [b1] Trip World (J) Triple Play 2001 (U) [C][!] Trouballs (U) [C][!] Trouballs (U) [C][h1IR] Trouballs (U) [C][h2IR] Trouballs (U) [C][h3IR] Trouballs (U) [C][hI] True Lies (U) [!] True Lies (U) [b1] True Lies (U) [b2] True Lies (U) [b3] True Lies (U) [b4] True Lies (U) [t1] True Lies (U) [t2] TrueText Gameboy Text Library V1.0 by Shen Mansell (PD) [C] Trump Boy (J) [h1C] Trump Boy (J) Trump Boy II (J) Trump Collection GB (J) Tryumf Pana Kleksa by Jan Brzechwa (PD) [C] TSS Grayscale Movie (PD) [C] Tsume Go Series 1 - Fujisawa Hideyuki Meiyo Kisei (J) [S] Tsume Shougi - Hyakuban Shoubu (J) Tsume Shougi - Kamiki Godan (J) [S] Tsume Shougi - Mondai Teikyou Shougi Sekai (J) Tsumego (J) Tsuri Sensei (J) [S] Tsuri Sensei 2 (J) [C][!] Tsuriiko!! (J) [C][!] Tumble Pop (J) Tumble Pop (U) Tunnel V0.1 (PD) Turn and Burn (U) [!] Turn and Burn (U) [b1] Turn and Burn (U) [BF] Turok - Battle of the Bionosaurs (J) Turok - Battle of the Bionosaurs (UE) (M4) [!] Turok - Rage Wars (E) (M4) [C][!] Turok - Rage Wars (E) (M4) [C][t1] Turok 2 - Seeds of Evil (J) [C][!] Turok 2 - Seeds of Evil (U) (M4) [C][!] Turok 2 - Seeds of Evil (U) (M4) [C][b1] Turok 2 - Seeds of Evil (U) (M4) [C][b2] Turok 2 - Seeds of Evil (U) (M4) [C][b3] Turok 2 - Seeds of Evil (U) (M4) [C][t1] Turok 3 - Shadow of Oblivion (E) (M5) [C][!] Turok 3 - Shadow of Oblivion (U) (M4) [C][!] Turret Duty (PD) [C] Turrican (UE) [!] Turrican (UE) [b1] Turrican (UE) [b2] Turrican (UE) [b3] Turrican (UE) [b4] Tutti Demo Version (PD) [C] TV Champion (J) [S] Tweenies - Doodles' Bones (E) (M4) [C][!] Tweety Sekaiisshuu (J) [C][!] Tweety's High-Flying Adventures (E) (M3) [C][!] Tweety's High-Flying Adventures (E) (M3) [C][t1] Twin (J) [b1] Twin (J) [b2] Twin (J) TwinBee da!! (J) Twist (PD) [C] Two Hearts (Beta) Two Strange Guys HiColor Pic (PD) [C] Tyco RC - Racin' Ratz (U) [C][!] GBXへ戻る Copyright 2004 BOB All Rights Reserved.